While
the past two nights were amazing, I was especially excited for this
show because it showcased some of the best designers from Serbia
Fashion Week. I was intrigued to see if their collections would
coincide with the collections from the previous nights. And let me
just say that these designers definitely did not disappoint anyone.
The
first designer of the night prefaced her show with a video of models
picking apples, drinking wine, and horseback riding through whimsical
fields similar to Martha's Vineyard. Enchanted music played in the
back, and the models wore highlighted designs from the collection. It
felt like I was being showed an exclusive upscale Victoria's Secret
commercial. Then, the video abruptly ended, and the first model
walked onto the stage with the same enchanted music carrying on in
the background. Between the red dress that had a small loose hood,
and the whimsical vibe of the fashion show, this outfit induced a
strong sense of little red riding hood. Trends in this collection
include; A-line dresses that are slightly more snug on the top than
your typical A-line dress, a combination of fringe and mesh accents,
and rhinestone infused embroidery. All of the popular elements within
this collection happen to be trends this season.
The
next show eased away from evening wear, and focused on more casual
pieces that are versatile for a night out, or even a professional
event. There was elements of grunge throughout the entire collection,
such as; studs, dark fur, fringe, and dark metallic.
This
was one of my favorite collections of the night. The designer brought
a sultrier aspect to an otherwise classic romantic evening wear
collection. Each piece of clothing was made to compliment another,
and the designer's precision was shown throughout every inch of every
outfit.
(Photos & Review: Zoe Sinkaus)
Each silhouette
had a simple outline, which put emphasis on the true quality and
essence of the clothing. While the collection as a whole was edgier
than any of the other collections so far, bits and pieces of each
outfit seemed to correlate with previous collections I've seen, and
this season's trends.
While black was the focus color, deep red and muave hues
intertwined with metallic variations to bring this collection to
life. The dresses in this collection happened to either be the
perfect skintight cocktail dress, or a floor-length flowly dress with
a thigh bearing slit. One thing that really made this designer stand
out among the rest of designers with similar collections to this is
the noticeability of fabric variations. It's evident the designer
played with different textures and materials, which many up and
coming designers are often afraid to do. While silk happened to be a
focal point in this collection, there were a few elements of suede,
mesh, and leather throughout the collection.
Danny Nguyen's collection reminds me of Lilly Pulitzer in the best way possible. Variations of intricate floral patterns were plastered onto pieces of clothing in an elegant and effortless way.
So much so, that even his vibrant yellow-based floral suit would look effortlessly chic and elegant during a basic day doing errands. Cocktail dresses, suits, and casual maxi dresses aren't the only things Nguyen's collection focuses on. Upscale evening attire seamlessly integrates into the show, demonstrating Nguyen's true ability to create versatile floral patterns and elegant body-hugging silhouettes that would make anyone feel like a powerful boss woman.
The
second this collection premiered, I immediately thought of the Great
Gatsby, and everything else prevalent to the roaring 20s. Layers of
fringe blended with silver and white combinations of rhinestones, and
even a mix of lace and mesh accents, to create an essence of classic
flapper outfits with a modern twist.
In so, this designer created a collection of stunning clothing that could be worn for a typical night on the town, or a more luxurious event. The last outfit, or I should say outfits, were those suitable for a bride and groom. A man in a doting blue suit with rhinestone encrusted sides complimented a woman in an extravagant ball gown, complete with a classically long rhinestone accented train, dropped waist overlay, and mesh long sleeves.
The
last collection of the night was a display of modern resort wear.
Groovy vibrant patterns that showcased coat of arms and flags were
displaced on floor-length coats, one pieces, dresses, and shirts.
But these lively pattern variations weren't the only thing to soak in from this collection. Each outfit was paired with over-the-knee leather, denim, or gladiator boots. And as for accessories, many models carried flashy purses or wore a classic resort visor.
This designer proved resort wear doesn't have to be mature and modest, instead it can be edgy, playful, and boundary pushing. Crop tops, tunics, and blouses correlated with daisy dukes and maxi skirts to create statement outfits that are also practical and seemingly comfortable. For more formal options, the designer offered modified A-line, maxi, and shift dresses in the same 60s inspired color palette, with hints of denim and mesh, that the rest of the collection has.
In so, this designer created a collection of stunning clothing that could be worn for a typical night on the town, or a more luxurious event. The last outfit, or I should say outfits, were those suitable for a bride and groom. A man in a doting blue suit with rhinestone encrusted sides complimented a woman in an extravagant ball gown, complete with a classically long rhinestone accented train, dropped waist overlay, and mesh long sleeves.
But these lively pattern variations weren't the only thing to soak in from this collection. Each outfit was paired with over-the-knee leather, denim, or gladiator boots. And as for accessories, many models carried flashy purses or wore a classic resort visor.
This designer proved resort wear doesn't have to be mature and modest, instead it can be edgy, playful, and boundary pushing. Crop tops, tunics, and blouses correlated with daisy dukes and maxi skirts to create statement outfits that are also practical and seemingly comfortable. For more formal options, the designer offered modified A-line, maxi, and shift dresses in the same 60s inspired color palette, with hints of denim and mesh, that the rest of the collection has.