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DailyBoom Your Old School Music Authority

Monday, May 10, 2021

Daily Boom 80's Throwback: Cinderella - 'Shake Me'

Image result for cinderella band

No pullin' teeth, she didn't want to fight, she said
Shake me, all night, she said
Shake me, shake it, don't break it baby

You already know that I've basically never encountered a hair band that I didn't eventually have a soft spot for, right? So why wouldn't I love Cinderella, still? I can't think of a single reason. Their first album Night Songs first dropped in 1986 and the boys made good use of their band name when it came to creative videos. "Shake Me", "Nobody's Fool" and "Somebody Save Me" all included a play on the Cinderella character and her evil step sisters. Back then it was a pretty clever move and all three videos were given a lot of play.

Sometimes even the best hair bands will feel just a tiny bit dated to me but never Cinderella. Tom Keifer's voice sounds as good today as it did thirty years ago. Here's their first video, "Shake Me". After you watch it then click through and watch the other two that followed it for the full effect!

Sunday, May 9, 2021

Boom Radio: Stacy's Patio Tunes (Aired 5-8-21)

Daily Boom 90's Nostalgia: Queensryche - 'Jet City Woman'



"Wonder where I'd be, you're the air to me."


Why crawl into Sunday morning when you can kick it off with a great rock track from Queensryche? "Jet City Woman" was the fourth single off of the progressive metal bands' 1990 album, Empire. It was a top ten mainstream rock track and the song that prompted me to buy the album. Pulling the trigger and doing that was a real investment back then. I think that I had really liked the other singles up until this point and so when "Jet City Woman" dropped it was just obvious that I needed a copy of Empire.

The thing was, once I bought it I realized I was absolutely in love with Geoff Tate's voice and so the album was played nonstop for months by me. The band has been around since 1981 and continues to tour but not without a bit of drama. Tate was fired from Queensryche back in 2012 after some questionable clashes with group members. Things got all kinds of ugly before they improved and a court battle left the current roster of Queensryche owning the rights to use the band's name for professional use. Tate now tours with his band under the name Operation: Mindcrime (after Queensryche's popular 1988 release) and sounds really fantastic. 

Both groups do a version of that great catalog you'll no doubt remember so well. Check out "Jet City Woman" below!

Saturday, May 8, 2021

Boom Radio: Mojo Rocks with Mojo Moomey (Aired 5-7-21)

Daily Boom 80's Throwback: Richard Marx- 'Angelia'


"Memories of you and me
Tumble inside my head
The way that we used to be
Things that we said
No one has ever made me believe so strong
You left me to wonder
How did our love go wrong
Angelia
Where you running to now
Angelia
Got to make you turn around."

I think that Richard Marx's "Angelia" ends up being a bit of a lost hit- not that it wasn't popular. The song went to #4 on Billboard's Hot 100 in 1989, it's just that I think some of his other songs have appeared to be more memorable to the masses. But for me, it has always been one of his very best. There's a kind of cool story about it too. Apparently, "Angelia" is Marx's favorite song off of his second album, Repeat Offender and he fashioned it off of the riffs from Def Leppard's Hysteria and Pyromania albums. What's ironic is that after "Angelia" was released Def Leppard then came back and used its' musicality to inspire "Have You Ever Needed Someone So Bad".

Pretty cool how the sound came full circle between both artists. I've just always loved the sound and I remember loving the video when it was first released. It just had a different, more grown-up vibe to it that I really still love. Check it out below!

Friday, May 7, 2021

Boom Radio: Deep Dives with Patrick Hemming (Aired 5-7-21)

Listen to "Deep Dives 05 07 21 AOR 1984-1992" on Spreaker.

Daily Boom Exclusive Interview: Betty Dee of Sweet Sensation

(Photo: Sweet Sensation's Official Facebook)

Since Covid-19 has brought gigs to a screeching halt we are flashing back to some of the best of the best content here at DailyBOOM.

So, there was this one Saturday WAY back in 1989 that I can remember like it was yesterday because I had perfect timing (a rarity). I had arrived for a taping of Dance Party USA and the energy was crazy because one of the guests for that days' taping was Sweet Sensation. I loved them. I mean, we ALL loved them. If you were even slightly a freestyle fan than the opening to "Take It While It's Hot" probably made your heart race. Betty Dee put on one hell of a show even then. Sure she was all sparkles, leather, ripped jeans, and big hair but even more so, she was a performer.

When DailyBOOM first launched in the summer of 2015, I had a bucket list of people that I wanted to interview and Betty was on it. At the time Sweet Sensation was on hiatus but as luck would have it, they returned to the stage by summers' end. In the last few years, the ladies have crisscrossed the country, performing for freestyle fans that still know all of the lyrics to their string of hits.

I finally had a chance to chat with Betty this week and the only thing bigger than her laugh is her heart. I wish that everyone could experience a bit of time with her because Betty is one of those rarities that leaves people better than she first finds them. Well, unless she's really mad then you better start running! Seriously though, Betty is equal parts crazy, outgoing Latina and introverted cat lady. She is also ALL parts love, joy, positivity, and acceptance. The woman you see on stage is exactly who she really is, and that's a gift to all of us.


Cate Meighan: Can you believe that Sweet Sensation has been around for more than thirty years?


Betty DeeSweet Sensation has obviously had personnel changes over the years. Since 1991 it has been me, Jenae Colon, and Belle Ritter. I've jumped in and out of the group a few times. The last time that we faded into the music background my dad was really sick and I was dealing with a bunch of other personal things. So I decided to step away from the spotlight and just live my life. In August of 2015, we got back together. I received a call from K7 of TKA, my work husband (laughing) asking me to come back. He said that we needed to return to the stage and start doing shows again. I couldn't believe there was interest but he has been my best friend for thirty years, and so I listened to him. I called the girls and just like that, we got back together. The first thing we did was meet for rehearsals and I can remember thinking, oh my god, I'm going to have to go and by lashes again (laughing)!


CM: How do the logistics work now that you're all older and juggling other responsibilities?

Betty Dee: We all live in different parts of the country. I work a crazy, very demanding, but fulfilling day job during the week, and then on weekends, I get to perform. My week is busy. I'm a mom to my kitties and my dog and I do the things that I need to do at home. Then on the weekend, I get to put on lashes, make my hair shiny (laughing), and then hop on stage and perform with my friends. I mix the two lifestyles and they're easy for me to balance because I'm a good multitasker. I need to be busy and performing is something that I really love to do.

If we are in NY for a show then we travel into the city and gather at one location for a quick rehearsal. We'll get ready there, do the show and on Sunday we'll go our separate ways again until the next weekend. If we go out of town and have to really travel then it becomes more work but I love it and I wouldn't have it any other way.



CM.: How was it coming back this time around?

Betty Dee: Coming back this time has been so different. We're older and we appreciate things more. I feel better now at 50 than I did at 30 (laughing). I'm more energized and I want to keep giving the fans more. I mean, there's a mortality thing of- okay how much longer can we really keep doing this? If I'm going to do it now then I'm going to give 1000% and I've got to give it my absolute all. I think other freestyle artists think the same way.


CM: Freestyle fans are like no other. No matter where the venue is, it really is like a family at the shows.

Betty Dee: The fans are the fuel. They're the gasoline that lights the fire for us. If we went out there and didn't have the support it would be totally different because that's what drives us. I speak for my work husband, my work wives, and all of the people that we do shows with. We see each other so often that we really are a family and we really do get together and talk about how amazing it is that we can still do this thing that we love so much. It's valuable to me and not just as an artist. I listen to them perform and it takes me back- like thirty years!




I remember what I was doing when Noel's "Silent Morning" came on KTU in NYC! We sang about love and dancing and heartbreak. I can't find a freestyle song that's not about one of those things (laughing). It's all about love and tears and that music created a bond 30 years ago and it's still there now. We all share that same bond now and I'm humbled by it. Understanding the genre and growing up with the people that listened to it, I totally get it. We hold on to this music and the time in our lives that it takes us back to until it's ingrained in our DNA. It's literally who we are.


Related image


CM: You look like you're in the best shape of your life right now and I've gotta ask, what's your secret?

Betty Dee: I had spent years depriving myself of calories and running around like crazy until my metabolism slowed down. It was in starvation mode and so I was gaining weight instead of losing it. I was trying to stay in shape and I wasn't eating fatty foods and it just wasn't working so I decided to experiment and cut out leafy greens. I would eat more meat and some cheese instead. I also started to work out differently. Instead of being on the elliptical for like, ten hours a day, I started lifting weights and dancing. I was doing that and eating full meals throughout the day because the food was giving me fuel.


Once I started switching things around and feeding my body, it did me the service of getting really lean. So no more measuring and weighing food for nothing. Now I eat everything in moderation, including the healthy stuff. I have more energy and I don't feel sick every day. Here's the thing, you have to figure out what works best for you because there's not one set cure-all program

CM: You're one of the happiest people that I think I've ever met. Where does the joy come from?

Betty Dee: We're on borrowed time and we all end up in the same place so don't take life too seriously. Do the things that make you happy and do them 1000%. Life is short and at some point, we lose each other so make the most of it. Be happy and make others happy too. That's where I'm at in my life and if that means going out on stage wearing sparkles and singing songs, then it's what I'm going to do.


Listen to Sweet Sensation:





 

Daily Boom 80's Throwback: Shannon- 'Give Me Tonight'



Walking sadly through the park
I hear crying in the darkness
And though I act like I cannot hear
The situation is very clear
A girl who's trying to tell her guy
The time has come that they say goodbye

I was always a disco kid. My first 45 single was Disco Duck, followed by Chic's "Le Freak" and Regina Ward's "Ring My Bell".  My dad would let me choose the last song that he played on his stereo every night and for years it was disco, until Pat Benatar came along, anyway.  Disco died a pretty fast death but in 1983 along came Shannon to remind us all that dance music was still cool. 

"Let the Music Play" has the coolest syth and drum machine beat and it drives the song all the way through. Decades later, this is considered one of the first freestyle songs ever made. What I know for sure is that when it comes on now, 32-years after first hitting the charts, everyone still gets up to dance. It's legendary. "Give Me Tonight", the follow up single might actually be a tiny bit better. It only reached number 46 on Billboard's Hot 100 but in the clubs it was just as popular as Shannon's breakout smash.

As for Shannon, well, she's still out there doing her thing. She is still performing those songs that made her a household name and a whole new generation of freestyle fans have embraced her. More often than not Shannon is seen performing in a Freestyle Explosion show that features a whole roster of popular 80's acts like Expose`The Cover GirlsNu Shooz and more. 

Check out "Give Me Tonight" one of the songs that helped to put Shannon on the map!

Thursday, May 6, 2021

Let The Music Play: At This Moment... with Robin McAuley


Let The Music Play: At This Moment... is a continuing series by DailyBOOM Media on Covid-19's crushing impact on the music industry as seen through the eyes of artists, musicians, promoters, venue owners, merchandisers and Save Our Stages/NIVA ambassadors.

Daily Boom 80's Throwback: Yes - 'Love Will Find A Way'


"You want to get close to me
The feeling so clear
But I need some time to see
Vision through my tear
You want to get next to me
I need your intrusion
I don't need to be
Blinded by confusion
Here is my heart
Waiting for you
Here is my soul
I eat at chez nous
Love will find a way
If you want it to
Love will find a way
Love will find a way for me and you"

Back in 1987 rock songs were often huge studio productions and Yes' "Love Will Find A Way" was probably one of the best. In an era full of hair bands, Yes took their synth sound to new heights by producing a song that blended that vibe with a great rock edge.The song was originally written and intended for Stevie Nicks, which sounds like it certainly would have worked out too., especially when you think back to her "Stand Back" era of music.  It could have easily been included on her album and it would have, no doubt, sold like crazy. The guys from Yes decided to lean in a bit and eventually nailed the track down. It eventually hit number 30 on Billboard's Hot 100. 

Do you remember this one? Check out the video below!

Daily Boom Lost Hit: Aerosmith - 'What It Takes'

Wednesday, May 5, 2021

Daily Boom 80's Throwback: Level 42 - 'Lessons In Love'


"I'm not proud, I was wrong
And the truth is hard to take
I felt sure we had enough
But our love went overboard
Lifeboat lies lost at sea
I've been trying to reach your shore
Waves of doubt keep drowning me
All the dreams that we were building
We never fulfilled them
Could be better, should be better
For lessons in love"

We all have those songs that, for whatever reason, we just love, and "Lessons In Love" by Level 42 falls into that category for me. It wasn't the band's most successful single when it topped the charts at number 12 back in 1987 (that honor goes to "Something About You" which reached number 7 the previous year) but it has always stuck in my head. The lyrics are all about screwing up a relationship and I'm pretty sure that my 15-year-old self had done exactly the same thing at that point in time, making it pretty much "my" song. 

The thing is that "Lessons In Love" could easily have been (and probably was) a lot of peoples' songs because who hasn't been there. The best lessons are those learned the hard way and Level 42 spells it out perfectly. I've always thought it was more than a little ironic that this song's melody makes me happy while the lyrics are a bit somber. Check out the video below. Do you remember this one?

Currently Booming: Bananarama - Young Guns Go for It (Documentary)

Daily Boom 80's Throwback: Phil Collins - 'Another Day In Paradise'


"She calls out to the man on the street
"Sir, can you help me?
It's cold and I've nowhere to sleep,
Is there somewhere you can tell me? 
He walks on, doesn't look back
He pretends he can't hear her
Starts to whistle as he crosses the street
Seems embarrassed to be there."


"Another Day in Paradise" was Phil Collins 7th number one song in his solo career and it also became a bit of a lightening rod  for controversy. The song addresses homelessness and the plight of those on the streets. It brought awareness to the problem, which still exists in every U.S. city and the songs aim was to remind people that their own personal situations could always be worse.

Collins came under fire because critics thought he capitalized on the topic without doing anything to actually help those living on the streets. He has said that it was written because having money and fame doesn't mean that you're out of touch with the reality of the quality of those around you. 

It's one of those things that I think you can go in circles about. Awareness without action doesn't create change. But that awareness may have encouraged many people to take action , which meand Collins hope for the song (and message) was accomplished. 
Check out the video for "Another Day in Paradise" below. How does it leave you feeling?

Tuesday, May 4, 2021

Currently Booming: Nick Van Eede of Cutting Crew- 'Say Something'

Exclusive Interview: Whitesnake's Joel Hoekstra on Touring, Playing with Cher & More


Since Covid-19 has brought gigs to a screeching halt we are flashing back to some of the best of the best content here at DailyBOOM.

If you're a rock fan then Joel Hoekstra is a man who needs precious little introduction. He spent several years on stage in the Broadway production of Rock of Ages and used that experience to launch a career that has him now playing beside some of his childhood heroes. Hoekstra believes that greatness comes from playing as often as he can and working with bands like Foreigner, Night Ranger and of course, Whitesnake (to name only a few) has helped to shape him into a versatile virtuoso. 

Hoekstra has been busy with Whitesnake rehearsal's this week as the band is gearing up to hit the road for the Juke Box Heroes Tour with Jason Bonham and Foreigner, but he was kind enough to give me a few minutes of his time.

(Photo: Cate Meighan)

Cate Meighan: I know that Whitesnake's rehearsals just started a few days ago, how's it going so far?

Joel Hoekstra: We started on June 4th and it's really great to see the guys. Everyone in this lineup gets along so well and that makes it really great to be back together again. The band sounds really tight already. Everybody did their homework leading into rehearsal (laughing) and is remembering all of the songs. David (Coverdale) is in great spirits and is singing fantastic, so we're all excited to get back out on the road again.

CM: You were last on the road together for the greatest hits tour two years ago. How will this show compare to that one?

JH: It's different in that we're sharing the bill and playing the bigger venues this time around. It's going to be a great night of classic rock. Jason Bonham will be playing all of the Led Zeppelin stuff and it just doesn't get much cooler than that. Of course, then you'll get the Whitesnake catalog and the Foreigner catalog which means that it's realistically going to be a night where just about everyone knows every song played. That's the kind of show that just doesn't come around that often.

CM: There has been so much excitement and speculation surrounding the new album, Flesh & Blood, which recently had its' release date pushed back. Is there a chance that the first single from that project, "Shut Up & Kiss Me" might make its' way into the setlist?

JH: I'm not 100% able to discuss the setlist (laughing) because it might get me in a bit of trouble. I'm sure it'll be up online right after the first show so I've got to at least make you wait until then to find out!

CM: How does it feel to have the band back together again?

JH: It's really great to be back. I've spent a decent amount of time with David and Reb (Beach) over the last year working on the new music, which is cool. I feel like my relationship with both of them has grown. Just to finally see everyone else too and have us all together is truly the best part.

CM: I know that mixing it up and doing different kinds of projects seems to have really become your forte. Michael Sweet of Stryper recently mentioned working on something bluesy with you. Can you tell me more about that?

JH: It's in both of our plans to do that and hopefully while I'm out on this tour I can send him some ideas. We both like to work quickly and Michael is so talented and just a super nice guy. It's going to get done, I promise (laughing). We just have to find the time in our schedules to actually get together and do it. It'll be cool though because we're on the same page with exactly what we want to do.

I had a friend take me to see Stryper when I was a kid and still in school. They put on such a great show, I was totally blown away. They put on such a killer show even back in the 80's. Now to actually know the band and to be able to call them my friends is just incredible.

CM: I bet that kind of scenario happens to you a lot now!

JH: It really has been a recurring story over the last ten years of my career- getting to know guys that I looked up to as gods when I was a kid. There was a moment this year when I was out with David (Coverdale) for his birthday. It was just him, his wife, Reb and I at his birthday dinner. I sat there for a minute just thinking that if someone had ever told me when I was still in high school that this moment would eventually be happening I would never have believed it (laughing). I would never have thought that it would ever be possible. I have a lot of moments of clarity like that and it's really cool.

CM: I know that you've spent the early part of this year working with Cher and the rest of her band in Las Vegas. How was that experience?

JH: It was great. My interaction with her was so limited though. The most that I've talked to her is a minute before we would go onstage when we're in a circle exchanging pleasantries. That's literally about it (laughing). She's great to work for though and it's a very professional organization. The musicians are amazing and it has been a real joy for me to have a chance to get to know a lot of them.

It has been really nice to broaden my horizons during my downtime from Whitesnake and break that rock stereotype a little bit. There are showman moments in it where I get to step out and then there are moments when I get to step out with someone that's a pop icon. She's a legendary performer and the set is really diverse musically, which is fun. I get to play anything from 60's pop to disco, all the way up to her 80's hard rock thing. There's a lot happening stylistically and that's fun from a musical perspective for me to be able to play it.

(Photo: Jay Marz)

CM: Does mixing stuff up help you to stay creative?

JH: I really just want to keep working and mixing things up allows me to get paid while becoming a better player. That's how I've always wanted to establish becoming great on the guitar and I think that playing a lot is how you get really good at it. Wherever life takes you and whatever opportunity presents itself, that's how you're meant to get good at it.

I love actually making music. I love being part of a band and musical scenarios where I'm working with other musicians and doing the best that I can with that. I also live in NYC and so just the sheer expense of it means that I should keep working and making money to pay my bills (laughing).

CM: After all of these years of playing with so many great musicians, what inspires you these days?

JH: I keep going to improve.. My definition of success is to never have to do anything other than play guitar. That's the modern day musical dream for me. Forget about someday wanting to own a mansion with 17 sports cars that I can crash and replace whenever I want to (laughing). I'm just trying to work and have a good time while doing it. Hopefully, I'll even be considered a good guy in the process.

It really is a job for us. Sure there's a lot of fantasy to it because you get to be onstage in front of an audience and sometimes you're treated really well, but essentially, it comes down to working hard. I keep that in my head at all times because it's important to keep yourself grounded. Ego will kill your career. I think you need to work hard and then as opportunities present themselves, do what you can with them. That creates your life story more than just having one solid goal. You can't make your goals that narrow.

As a kid I never would have said that I wanted to play guitar in a Broadway show, it was not on my radar at all but doing Rock of Ages turned out to be a huge break for me. It was a six-year gig that changed my whole financial reality. I did the best that I could with it and it led me to right now. I think that you need to do your best with every single thing and then you'll see where it leads you.

It sounds like a cliche, but I do believe that the harder you work the luckier you'll get. Just about every big moment that I've had I can actually trace back to another moment that made no financial sense for me to be doing at the time (laughing). Sometimes you need to do things for the experience and to invest in yourself. You plant some seeds and then wait to see what eventually grows.

CM: What would you like to say to those fans that have supported and continue to support you in everything that you do?

JH: I appreciate their support so much and I try to be thankful every day for the chance to do all of this. I have a laundry list of things that I'm thankful for every day and the fans are definitely on it. It's amazing to be making a living playing music and to have the opportunity to do all of this. The fans are a big part of what makes it all possible.

If you don't already have tickets to the Jukebox Heroes Tour with Whitesnake, Jason Bonham and Foreigner then check out tour dates here. Visit Joel's personal site here to stay up to date 
on everything that he's doing.






Daily Boom 80's Throwback: The Cover Girls- 'My Heart Skips A Beat'



"My heart skips a beat
Every time we meet
I don't know what to do
Can't you feel it beat, feel it beat?"

If you've been reading Daily Boom for any length of time then you've probably pretty easily caught on to my love of freestyle music. Those same songs that had me on my feet as a teen now almost instantly put me in a better mood. That tells me that whatever power freestyle once had, still remains at least for me. The Cover Girls have undergone line up changes over the years and regardless of who hits the stage, I still adore them. 

When "My Heart Skips a Beat" first was released in 1989 it really looked like this group was ready to skyrocket towards serious mainstream success. Instead, lead singer Angel Clivilles left in the middle of their tour to pursue a solo career, leaving the group in a bit of chaos. Evelyn Escalera stepped in as lead singer and she continues that role to this day. "My Heart Skips a Beat" has always been one of my favorites by The Cover Girls and the video mix of the song really is a classic example of what great freestyle sounds like.

Monday, May 3, 2021

Daily Boom 80's Throwback: Chaka Khan - 'Through the Fire'


"Through the fire, to the limit, to the wall For a chance to be with you I'd gladly risk it all Through the fire Through whatever, come what may For a chance at loving you I'd take it all the way Right down to the wire Even through the fire"

I remember the music of 1984 very well. I was in 7th grade and had the radio, really any radio either by my side or in my ear. Chaka Khan came out with "I Feel For You" and the song found some heavy duty radio play in between the likes of Madonna, Michael Jackson, Prince and more. In gym class (which I hated) we got to listen to a few songs that were on one of the teacher's mixtapes. Chaka made the cut so gym class was just one more place where I heard her voice.

I Feel For You is her sixth solo album and as it turns out, one of the most popular ballads, "Through The Fire" was actually written for Chaka by David Foster. He was so positive that she would sing the song that he originally called it "Chaka". I think it took me a long time to really grow into the soul legend's music. As an adult, I now really get the appeal and talent of this woman.

Check out "Through The Fire" below!


Sunday, May 2, 2021

Daily Boom 80's Lost Hit: Bardeux - 'When We Kiss'


"There`s a real fine line
Between love and hate
And I`m not the type
To just sit and wait
I`ve made up my mind
I can`t wait for you anymore"

Ya know that one song that you remember so well years (okay decades) later that no one else can recall? Bardeux's "When We Kiss' fits that bill for me. I have never mentioned it to another soul that has any idea what I'm talking about and if I play it for them, they still don't remember it. Bardeux was actually a dance duo from OC, Stacy "Acacia" Smith and Lisa "Jaz" Teaney (at least on this song), who released their first album, Bold As Love in 1988.

While Bardeux is often described as a one-hit-wonder, they actually had a few singles that charted on Billboard's Hot 100 and they did really well on the dance charts during their short time together. I've always loved "When We Kiss' because it's almost more of a spoken word song than anything else and that really made it stand out back in 1988. Check it out below. Do you guys remember Bardeux?

Saturday, May 1, 2021

Boom Radio: Stacy's Patio Tunes (Aired 5-1-21)

Exclusive Interview: Steve Whiteman of KIX Talks Teaching, Touring & New Musical Gems to Come


(Photo: Kix Official Site)


Since Covid-19 has brought gigs to a screeching halt we are flashing back to some of the best of the best content here at DailyBOOM.

ICYMI:

KIX was one of the hardest rocking bands to hit the Baltimore music scene in the late '70s and they eventually had a few solid hits like "Don't Close Your Eyes" and "Cold Blood" that were in heavy rotation on MTV. In the '80s, being on MTV every four hours meant that you were part of the crop of rock bands that sold out huge venues and raked in cash from (actual physical) record sales. A lot of people still believe that once you "make it" in the music industry you're sort of set for life if you handle your money properly. The actual truth is that the music business is at best, a harsh place to try and exist. You could be at the top of the charts and playing sold-out shows now and in six months you're back to waiting tables or washing dishes. The only solid guarantee is that everything changes, rising stars inevitably hit some sort of bottom and then it takes talent, timing and unshakable determination to get back up again. 

KIX (Steve Whiteman, Jimmy Chalfant, Brian Forsythe, Ronnie Younkins, Mark Schenker) had a great initial run before deciding to call it quits in 1995. They took some time apart, enjoyed a little breathing room and eventually reunited with a fresh perspective on how to do things. For the last decade or so KIX has done things their way, playing only by their own rules and the payoff has been pretty sweet. I caught up with lead vocalist Steve Whiteman recently and he told me that they're booking as many gigs as they can juggle and new music may even be on the horizon. Check out the interview below!

Cate Meighan: How are you?

Steve Whiteman: I'm doing good, I'm having a pretty lowkey week. Just doing a little teaching and then this weekend we (KIX)  fly out to do the Mohegan Sun in CT and then The Greasy Luck in MA and then we'll fly back home again. We're weekend warriors at this point in our lives and the traveling is really all I've ever known. I have to say, the momentum that KIX has had in the last ten years or so has pretty much blown our minds because we never expected it to come back this big and to have this many dates. The fans still care and they come out to the shows and at this point, we just feel blessed. We really couldn't be happier and I don't know what we've done to deserve it all but we sure do appreciate it.

CM: How do you balance teaching regular students with all of the traveling that you do?

SW: I'm home during the week so I teach two days a week, which occupies me and gives me something to do. Plus I'm helping people who are really searching for help from someone that has been out there and has chosen music as their career. I've been teaching for over 23 years now and when I get a couple of really good students with loads of potential then it's just so rewarding. Every once in a while I'll find a diamond in the rough and that talent is what is really fun to help develop. 

(Photo: KIX Official Facebook)

CM: Was teaching always a goal or is it something that you sort of fell in to?

SW: It was more out of needing something else to do. When KIX decided to call it quits back in 1995, I was like now what the hell do I do? I can sing, I can play drums, and I can play guitar but I really can't do anything else. I figured all that I really could do with these things is take them and share them with other people and at first, it was difficult. It was also a little humbling coming off of the success of KIX, to go to a music store and sit down with a bunch of people that truly were there just to get an autograph and take a picture. It took a while to settle in and have serious people start coming to get vocal training and I also taught drums, guitar, and harmonica. I figured whatever the hell they want, I'll show them (laughing). Sometimes taking a break from a band like KIX gives you an opportunity to do something different with your life and fortunately for me, the band did come back together stronger than ever leaving me feeling extra blessed.

I was actually reluctant to get back into KIX too because I was really pretty happy teaching and doing my other band, Funny Money. That project allowed me the chance to write all the songs and to really perform my own music finally. I didn't get much of a chance to write in KIX so I was enjoying the experience of Funny Money. We were playing really small clubs but I didn't care because I've never had much of an ego, I just wanted to be out there in front of the fans. Some of those shows were so intimate that we were basically playing on footstools because the venues were so small and it never really mattered to me because I love music.  Between that gig and teaching, I was really doing just fine and it took some coaxing to get me back on an airplane and flying all over the country with KIX again. 

CM: KIX currently plays everywhere from small clubs to casinos and then huge rock festivals. Is there a type of gig that you prefer?

SW: I always look at what is in front of me. Like this weekend we are playing at the Mohegan and that's always a great venue. It's a free show so people can't complain (laughing). I also love the hometown gigs where the people that were there 30 years ago still come out and still support us like they did way back when. You can't beat a good loud Baltimore crowd or a good central PA crowd and to play in front of those people will always be very special. 

Back in the day, we were claimed by Washington DC because DC 101 played us. We were claimed by Baltimore because 98 Rock played us, we were also claimed by the Harrisburg area because of the radio station that was there playing us, and then our hometown also claimed us. We had four different areas that claimed KIX as their hometown boys (laughing) and playing in those areas to this day is just really special.

CM: It has been a few years since your last new material, is there anything in the works now?

SW: In 2015 we did put out a record called Rock Your Face Off and it was for our diehard fans. We know at this point in life that new music does not have a chance in hell of getting on any radio stations because corporate radio is not going to play new music. The only way the fans hear it is by coming to the live shows- or the diehard fans will share it. I think artists in our genre have pretty much accepted the fact that if we're making a record it's for ourselves just to stay creative and for those diehard fans. Aside from that we really can't have high expectations for it. 

We do it anyway though because you've got to keep those creative juices flowing so yeah, we are talking about getting together and seeing what we have. We've written music over the last several years and so now is as good a time as any to go back and see if we've written any gems and if we have some then we'll get together and make a record. Plus it's fun! It's fun to create something from nothing, from just a spark in your imagination to be able to turn that into a story with a musical accompaniment. You listen and hope that other people will like it and most of the time they don't (laughing). I mean for every ten songs you write you might have two gems but those gems are precious. I guess we'll probably start talking about the possibility of a new album soon. 

(Photo: KIX Official Site)

CM: You really are loving this phase of KIX, aren't you?

SW: This is nothing but fun for us now. We're too old to have a lot of pressure (laughing) and we get along like brothers. We like being together and we like being on stage together. Since reuniting there has been such a great feeling within the band. We've matured so we know what's important and we focus on that. We also won't allow ourselves to be burnt out. We do what makes sense for us and we do it at our pace. As a singer, I have my limitations now. I can't go out and do 4 or 5 nights in a row anymore and I wouldn't want to. Everybody takes it nice and easy now and that's why we are happy and healthy. 

CM: You have so many fans excited to see you at upcoming events like the M3 Rockfest (Columbia, MD May 3-5), what do you want all of those people supporting you guys to know?

SW: The whole reason that I got into music was that because as a kid loved it and I couldn't get enough of it. I would wear out records and cassette tapes. I spent 8-10 hours a day in my room playing drums and guitar. I mean what are the odds of being one of those few people that pick up these instruments and then actually gets to put out records? I never did it to be famous or to make money, I did it because I love music. Everyone in the band is the same way and that's probably why we are all so grounded and don't have attitudes or egos. It's all about the fans and without them, we wouldn't still be here. We are blessed to have them and blessed because of them.

Check out KIX's official site for news, tour dates, merch & more! 

Boom Radio: Deep Dives with Patrick Hemming (Aired 4-30-21)

Listen to "DeepDives 04 30 21 '83-'93 Hard Rock Glam Metal Round II" on Spreaker.

Daily Boom 80's Throwback: Heart - 'Never'

Heart (Heart album) - Wikipedia, the free encyclopedia:

"Hey baby I'm talking to you
Stop yourself and listen
Some things you can never choose
Even if you try yeah
You're bangin' your head again
Cause somebody won't let you in
One chance, one love
Your chance to let me know
We can't go on
Just running away
If we stay any longer
We will surely never get away
Anything you want, we can make it happen
Stand up and turn around
Never let them shoot us down
Never, never
Never, never run away."

During the mid-80's women really did dominate the airwaves and MTV. Pop princesses were everywhere, at times they were tricky to tell apart but two women that most definitely stood out were Ann and Nancy Wilson of Heart. They first rose to fame in the '70s and then enjoyed a pretty huge comeback in the '80s with their self-titled album. The second single off of it, "Never" remains one of my favorites.

It shot to number four on Billboard's chart in 1985, to become Heart's best-selling single thus far and the take-charge lyrics seemed to really click with listeners. At least enough for MTV to keep the video in heavy rotation for a long while. In the thirty-plus years since, the Wilson sisters have gone their separate ways to work on various projects, but seem to reunite every few years for a new Heart album.

Thursday, April 29, 2021

Let The Music Play: At This Moment... With John Waite


Let The Music Play: At This Moment... is a continuing series by DailyBOOM Media on Covid-19's crushing impact on the music industry as seen through the eyes of artists, musicians, promoters, venue owners, merchandisers and Save Our Stages/NIVA ambassadors.

Daily Boom 80's Throwback: Sweet Sensation- 'Take It While It's Hot'


I've always dreamed this was the way that it could be
Just like a fantasy, your hear along with me
So now it seems we've slipped into reality
And it's plain to see this is our destiny
Feelings I try to hold seem to take control
I lie awake, my body shakes with just one thought of you

So freestyle Friday kind of came and went this week, but we still need a dose of the actual music right? Here's a dose of Latin Freestyle via Sweet Sensation. "Take It While It's Hot" is the title track off of the ladies debut album from 1988. It put them on the map back then and it'll still get you up off of the couch right now, so enjoy!

Daily Boom 80's Throwback: Timex Social Club - 'Rumours'


"How do rumors get started
They're started by the jealous people
And they get mad seeing something
They had and somebody else is holding."

The year was 1986 and rumors were a topic that any teenage girl was familiar with. Either you spread them, listened to them or were the subject of a nasty little story that was circulating, especially if you were in high school. When Timex Social Club's "Rumors" was released not only was it a huge dance hit, but it became kind of a sing-a-long for every teen girl that I knew. The fact that it landed in the top ten of Billboard's Hot 100 solidified the notion that this song was something that the masses connected to. Check out the video below. Is it one of those songs that you still know all of the lyrics to?

Wednesday, April 28, 2021

Daily Boom Lost Hit: Maurice & Da Posse- 'This Is Acid'

Daily Boom 80's Throwback: The Cars - 'Drive'


"Who's gonna pick you up when you fall
Who's gonna hang it up when you call
Who's gonna pay attention to your dreams
Who's gonna plug their ears when you scream
You can't go on thinking nothing's wrong
Who's gonna drive you home tonight?"



1984 was a huge year for a 19-year-old model named Paulina Porizkova. After working the Paris runways for a few years she landed the cover of Sports Illustrated's swimsuit edition. She also played the crazy girl in The Cars video for "Drive". It wasn't a typical tune by the band because, while Ric Ocasek wrote the song, it was Benjamin Orr who sang the lead vocals.

It climbed the charts quickly and became The Cars biggest hit to date. At the time of filming Ocasek was married to his first wife and Porizkova was just a teen. Fast foward five years and the two ended up getting married. The cool thing is that they still are, almost 30 years later.

"Drive" is one of THOSE 80's songs. It's kind of a familiar comfort whenever it comes on the radio. Even if you don't love it you'll probably find yourself singing along.It made an impression back in 1984 and still resonatestoday. Check out the video below.

Tuesday, April 27, 2021

Exclusive Interview: Night Ranger's Kelly Keagy on the Band's 'Rebirth', Touring and New Music to Come

(Photo: Ash Newell)

Since Covid-19 has brought gigs to a screeching halt we are flashing back to some of the best of the best content here at DailyBOOM.

(ICYMI)

One of the coolest things about music is the way that it provides each and every one of us with the ability to travel through time. You know what I mean, a twenty-second song intro and for just a flash of a moment, you really do feel like it's 1980-something all over again. Night Ranger always takes me back to the tail end of middle school, when laying in the sun while trying to win albums off of a local radio station was an actual hobby. My first boyfriend was a bit obsessed with the band and so I became a fan as well. That was 35 years ago and while I have no idea where he is today, the Night Ranger on vinyl is still with me.

If you haven't had an opportunity to check this band out live then you really owe it to yourself to grab some tickets and just go. The videos that were so popular way back when really didn't do Night Ranger justice in terms of showing just how capable they are of playing a great rock set. I caught the guys recent gig at M3 Rockfest and was keenly aware of just how much the audience seemed to appreciate their talent.

I also had an opportunity to speak with one of the driving forces behind the band's continued success, drummer/vocalist Kelly Keagy. He considers his return to the stage last year after a health crisis not only a rebirth but also a joyful opportunity to be even better than before.

(Photo: Ash Newell)


Cate Meighan: How was the M3 Rock Festival for you and the rest of the band? 

Kelly Keagy:  It was cool. M3 is more of a metal-ish kind of festival and I know that everyone worries about throwing a straight rock band into that kind of lineup. In Europe a metal band show is totally different and filled with bands people in the states may never have even heard of. I remember when Night Ranger was put on a Sweden Rocks show about five years ago and it was mixed up musically. They had Pearl Jam, they had us and they had 10cc from 70's yacht rock play right before us (laughing). 30,000 people came out to see them because they still sounded just like the record and it was phenomenal. I was standing at the edge of the stage singing along, "I'm not in love...thinking how much I loved these guys too.  It's nice to be thrown in with a bunch of different kinds of acts and to be able to hold your own.  

I like being in front of people that know our songs but aren't actually fans because then when we go up and not just play, but also interact with them, we can really wow them.  

CM: I've noticed that people almost seem surprised by just how great you guys are live. Why is that? 

KK:  When you first start out it's all about playing live and it's all about being really good in front of an audience. That's how we started out and then we went in to start making records we had to start thinking in terms of promotion. Since a lot of our radio hits were ballads, the videos that went along with them were often a lot lighter than our live shows would be.

When you are playing live then it's about how you relate to an audience and bring them in. For the last fifteen years or so we've been added on to shows with Journey or Foreigner or some of those bands that were around for maybe ten years before we actually had success. Some of those audiences wouldn't have necessarily been our fans so it's a real challenge for us to go into that situation and have the confidence to know that we can win people over. We always end up walking away with the feeling that maybe those who hadn't seen us before might come and check us out again in the future, so that's cool.  

(Photo: Ash Newell)

CM: Rising to meet the challenges that the music industry presents really isn't a new concept to you though, is it? 

KK: It has always been a whirlwind for us, especially in the early days. Our first record was on Boardwalk, which went bankrupt in the middle of our tour. We came back after doing two sold-out shows with Sammy Hagar and the record company told us that the IRS had locked the doors so we weren't going to have any records in the stores! We had to go back in to make another record as soon as possible and thankfully we already had an offer from MCA, so we went in just as soon as we could. We started writing and we already had some songs leftover. "Sister Christian" hadn't been put on our first record because we already had a lot of ballads, so we were able to use it on our second record. We ended up writing the majority of the other songs in about a month and then we went back in and recorded it. We were very lucky because we just happened to be in the right place at the right time. Anybody else would have just folded because there it was, that one shot to make it and that first record company collapsed. We were lucky to have another shot and so we really ran with it. 

CM: Some of the singles put out were a bit of an issue for you too, weren't they? 

KK:  Oh yeah, the singles that they chose often times weren't really what we would have picked for ourselves and I think it's part of the reason why people don't realize that we're so good live. We did an album called Man in Motion back in 1988 and we were kind of defiant about it. Since all that wanted to do was release ballads, we turned the record in without one (laughing)! They thought we were kidding, a Night Ranger record without a ballad.
  
The record company would just push those tracks that radio was expecting and so we went back and wrote a really great ballad, but they never used it. Instead, they wanted to use a Russ Ballard song and we were stunned because we write our own material and do well with it! Why would we do a song that doesn't even sound like us? That's when people started to write us off a tiny bit and wonder what happened to Night Ranger. We had to wholeheartedly try and promote that song because the rest of the album was good and we were proud of it, so we had to promote this ballad in the hopes that people would hear the rest of the record 

(Photo: Ash Newell)

CM: So many people end up being involved that it almost seems like a small miracle when any record does get made. How has the process changed for you over the years? 

KK: It has flourished a lot especially in the last three records. On the last one the three of us, myself, Jack (Blades) and Brad (Gillis) decided to just write all of the songs together. In the past I'd bring 2 songs, Jack would bring 2 and we would have almost half the record already so we would then start piecing it together with the rest of the band. With this album, we wanted to be creative together from the very start. Kerri and Eric have had great ideas right off the bat too so it has really been a joyous situation.  

We have the benefit of having a great record company that has been putting out our stuff for a while now. Frontiers Music Srl, owned by Serafino Perugino, is very passionate about all of the bands from the 80's era. They give us some space because they ultimately know that we're going to give them what they want. It's a big business because these companies put a lot of money on the line, and so they have to be sure that they get what they need. Every time they drop a single it's a quarter or a half of a million bucksIt was insane back in the day to do those videos and it's not that much cheaper to do these things now.  

We really care about what the fans think and we'll always make those records that the fans like. But it's nice not to have to worry about the record company breathing down our necks reminding us that we don't have a single to send to radio. We're confident in what we're doing and Frontiers is on board with us.

CM: Is the process of writing and recording different for you now than it was even ten years ago? 

KK: Absolutely because we get to produce our records. Back in the day, we had some pretty heavyweight producers come in and they made all of the crucial and sometimes unpopular decisions. They picked the songs and just did everything. Now, we get to produce the records and decide what songs will be on there and we're having a much better time developing our albums. We needed someone to make all of those decisions back then because when you're young, you don't know how to produce a record (laughing). You need that second ear to tell you when a song isn't worth spending time on and so then, that was good for us. Producers get a lot of money too and we wanted to be able to take our budget and make the best sounding album with it for the fans.  

On Don't Let Up, the last record that we did, we wrote all of the songs together and we recorded it in our home studios. Honestly, for a bunch of old school guys that was a tough decision. What we did do is make sure that the writing and work were really solidly done as demos. We were confident in them and then all we had to do was to re-record our parts. We weren't too far off the mark that way, but if you were doing it without real structure then it wouldn't work.  We were doing sessions 3 or 4 days in a row and then coming back and listening to them, before doing a few more days in a row. That worked pretty well. We had time to live with the demos and then have discussions about them and so we ended up pretty excited about the project. Ultimately, I really do think that it's a good idea to go in there and have everyone present. The emotions really come out when you're all together playing and singing, so there's a kind of magic in the music then. 

(Photo: Ash Newell)

CM: I know that you went through a health crisis about a year ago and ended up having heart surgery. How did that experience change you? 

KK: Oh, wow it really has changed me. I didn't realize it until after I had the heart surgery and I was at home recovering. The doctor had warned me that there was going to be some depression that might set in while I was just sitting there and the band was still out playing. They would send me videos of the audience singing "Sister Christian" and just saying hello to me. At that point, it was just impossible for me to not learn to appreciate those days on stage because they're not going to last forever. I started thinking that this was now a challenge to get back in there with the band. I knew that people were going to be looking at me to see if I would still be as good as before. I looked at it as a new lease on life and so now I had to be even better. It might take a while but I was determined to be strong and singing even better than before. Once you plant that positive seed in your mind then it truly grows 

We are such a close band, even with newer members like Kerri Kelly and Eric Levy, we're really tight and so any crisis brings us closer. My recovery really did do that because I heard from everyone daily and then the fan support was intense. It is truly a miracle to see that kind of energy come into your inner circle and flourish. Such a difficult thing eventually was just such a blessing. It was like a rebirth that brought us all closer. Then we made another record, which was great in my mind. We just keep coming up with good stuff to write about and it's all of these different pieces that ultimately make us still viable. We're still passionate and music is still very important to us and that's how it'll stay for as long as we're making music. 

CM: I know that the band keeps you busy, but is there anything else that's close to your heart now? 

KK: I'm an ambassador for the Musician's Hall of Fame & Museum in Nashville, which is just an amazing place. People can actually come and visit the museum to see pieces of the history that they've been listening to. It's all about the unsung heroes of music from the 50's up until now and there's just this rich music history that unfolds right in front of you. The owner of the museum just seeks out these amazing items and their goal is to preserve music history, whenever and wherever they can. It's such a great place for music buffs to visit and so they really should come and check it out. 

(Photo: Ash Newell)

CM: Night Ranger's summer is already loaded with tour dates so your fans will have plenty of opportunities to catch you live. What comes after that? 

We figure every three years we'll put out an album. Heading into next January after things slow down, we might start kicking ideas around. We've been having such good success at just getting together in a room and jamming out with good, solid musical ideas. I could see that easily happening and then the record would come out a year later- or maybe the fall of 2019. We kind of put it on the calendar, even though it might not happen exactly that way. We're still working with our last record Don't Let UpWe've got another single coming out from it called "Truth" and we're just finalizing the video for that. We like the material so much that we're going to add another song or two in for when we have 90 minutes or a two-hour set. 

CM: How do you feel about those fans that appreciate you as a great live band? 

KK: Every time that I walk on stage it's just such a positive thing to know that these people have come from all over to hear us play. I feel like it's important for us to say something positive to get us all in sync and in the same circle. Bringing everybody together is what it's all about and to still be able to do that is a big deal. We think about it even after 35 years. Not only are we still doing it but we like doing it. We even still like being with each other which is a blessing in itself (laughing). We have to cherish these times because this could be it, we're all getting older and things happen. We're not going to worry about the future because it's all about right now. Stuff goes by really fast and it doesn't come back so we're going to keep going until we literally can't anymore. 

Check out Night Ranger's official site for music, tour dates, and merch! You can also plan a trip to the Musicians Hall of Fame & Museum here.