90s Nostalgia: Duran Duran - 'Come Undone'

 

I've always liked Duran Duran. They were one of the defining bands of the MTV generation, with iconic videos, unforgettable hooks, and enough charisma to make them one of the biggest acts of the 1980s. But if someone asked me to pick my favorite Duran Duran song, there wouldn't even be a debate.

It's "Come Undone."

Released in 1993 as the second single from The Wedding Album (officially titled Duran Duran), "Come Undone" arrived at a time when many people had written the band off. The music landscape had changed dramatically. Grunge dominated the charts, alternative rock ruled the airwaves, and many of the glossy pop acts from the '80s were struggling to find their place.

Then Duran Duran quietly reminded everyone why they became stars in the first place.

The song is simply beautiful. Simon Le Bon delivers one of the most emotional vocal performances of his career, while Nick Rhodes' atmospheric keyboards and Warren Cuccurullo's haunting guitar work create a dreamy, almost hypnotic sound. It's romantic, mysterious, and incredibly mature, a far cry from the youthful exuberance of "Hungry Like the Wolf" or "Rio."

There's a vulnerability to "Come Undone" that makes it timeless. Even after all these years, it still sounds fresh.

The entire Wedding Album became exactly what Duran Duran needed. Following several commercially disappointing releases in the late '80s and early '90s, the album revitalized their career. The massive success of "Ordinary World" proved they still had plenty to say, and "Come Undone" confirmed it wasn't just a one-song comeback. Together, those singles introduced Duran Duran to a new generation while reminding longtime fans why they'd fallen in love with the band in the first place.

I remember hearing "Come Undone" constantly on the radio in 1993. It felt different from everything else that was popular at the time. While everyone else was leaning into heavier guitars or angst-filled lyrics, Duran Duran embraced elegance and atmosphere. They didn't chase trends—they simply made a great record.

The music video perfectly matched the mood of the song. Filled with surreal underwater imagery and dreamlike visuals, it captured the track's emotional depth without trying too hard to explain it. Like the song itself, it left plenty open to interpretation.

More than three decades later, "Come Undone" remains my favorite Duran Duran recording. It showcases a band that had grown up without losing the qualities that made them special in the first place. It's sophisticated, emotional, and endlessly replayable.

Sometimes a comeback album does more than put a band back on the charts, it reminds the world of their artistry. That's exactly what The Wedding Album accomplished for Duran Duran, and "Come Undone" remains one of the finest songs they ever recorded.

Whenever it comes on, I still turn the volume up.

Freestyle Friday: Laissez Faire - 'In Paradise' (35th Anniversary Version)

 

80s Throwback: Dino - 'Summergirls'

If you spent any time in a dance club during the late '80s, chances are you heard Dino's "Summergirls" blasting through the speakers. While songs like "I Like It" and "24/7" helped establish him as one of freestyle's biggest stars, there's something about "Summergirls" that perfectly captures the carefree feeling of summer nights, neon lights, and packed dance floors.

Released in 1989 from his album Swingin', "Summergirls" wasn't one of Dino's biggest chart hits, but for freestyle fans, it became a favorite. It had everything that made the genre so addictive, an irresistible dance beat, shimmering keyboards, smooth vocals, and a chorus that stuck with you long after the song ended. It was the kind of track that made you want to roll the windows down, head to the beach, or spend the night dancing with your friends.

Dino was one of the few freestyle artists who successfully crossed into the pop mainstream. While acts like Exposé, Sweet Sensation, and Stevie B. dominated radio, Dino carved out his own lane with polished production and a voice that was just as comfortable delivering romantic ballads as it was upbeat club anthems.

Listening to "Summergirls" today instantly transports me back to an era when summers felt endless. It reminds me of cruising around with the radio turned up, weekend trips to the mall, and those magical nights when all you needed was great music and good company. That's one of the things I love most about freestyle- it has a way of preserving memories better than almost any other genre.

If you've never given "Summergirls" a listen, now is the perfect time. And if you already know it, turn it up and let it remind you why freestyle music still holds such a special place in so many hearts.

Boom Radio: New Wave Mixtape

 

80s Throwback: Vinnie Vincent Invasion - 'Love Kills'

You've brought my world to an end
Love takes its victim and leaves its remains
My broken heart has died in vain
Tell me why have we forsaken the dreams we had
The pain makes it so hard to understand
You're a lifetime ago but a memory away
And I'll love you till my resurrection day
Love kills the fire's gone
Dying embers still remain
Love kills and now you're gone
Girl, I'll never be the same again

I'm going to be honest here, saying I don't remember Vinnie Vincent Invasion's "Love Kills" would be an understatement. Somehow, this one completely slipped past me back in the day.

Released in 1988 for the A Nightmare on Elm Street 4: The Dream Master soundtrack, the song unexpectedly popped up during an episode of MTV Classic's Metal Mayhem this morning, and I'm glad it did.

Vinnie Vincent formed the band in 1984 after leaving KISS, where he had made a name for himself as the band's lead guitarist. Two years later, he recruited a then-22-year-old Mark Slaughter as lead vocalist, and the chemistry was undeniable. While the band never reached the commercial heights of some of their glam metal peers, they produced some seriously underrated material.

Watching the "Love Kills" video today, what struck me most was just how incredible Mark Slaughter sounded. Even at only 22 years old, his powerful, soaring vocals were impossible to ignore. Looking back now, it's easy to hear why he would go on to front Slaughter, one of the more successful hard rock bands of the late '80s and early '90s with hits like "Up All Night" and "Fly to the Angels."

The song itself is exactly what you'd want from a late-'80s horror movie soundtrack: big guitars, melodic hooks, dramatic vocals, and enough attitude to fit perfectly alongside Freddy Krueger's latest reign of terror. It's a reminder of just how many great rock songs were tucked away on movie soundtracks during that era.

Of course, Vinnie Vincent Invasion eventually called it quits, and the members went their separate ways. Mark Slaughter found mainstream success with his new band, while Vinnie Vincent's career continued to take some interesting twists over the years. Even so, "Love Kills" remains a fun snapshot of a moment when everything seemed poised to break even bigger.

Sometimes all it takes is an old episode of Metal Mayhem to remind you of a song you either forgot or never really discovered in the first place.

80s Throwback: The Boys Club - 'I Remember Holding You'

 

Some songs just disappear from the conversation, and that's a shame because they deserve to be remembered. The Boys Club's "I Remember Holding You" is one of those forgotten gems from the late '80s that rarely gets mentioned anymore, even though it came within one spot of topping the charts.

Released in 1989, "I Remember Holding You" climbed all the way to No. 2 on the Billboard Hot 100, proving that there was still plenty of room for polished pop ballads as the decade was winding down. Of course, the fact that the song came packaged with two photogenic guys in a slick, MTV-friendly video certainly didn't hurt its chances. If you were a teenager in 1989, chances are you remember seeing the guys looking like they stepped straight out of a Chess King catalog.

What many people don't realize is that The Boys Club wasn't really a traditional band. It was largely a studio creation assembled around the song itself. While the duo did make a handful of promotional appearances, particularly on the West Coast, they never became a full-fledged touring act. That probably explains why they quickly faded from view despite having one of the biggest pop hits of the year.

Still, there's something undeniably charming about "I Remember Holding You." It's a song built on lush keyboards, soaring harmonies, and just enough heartbreak to make it stick with you long after it's over. It's the kind of power ballad that perfectly captures the polished sound of late-'80s Top 40 radio, right before grunge and New Jack Swing changed everything.

And then there's the video.

Like so many clips from the era, it feels like a time capsule. The perfectly styled hair, oversized jackets, dramatic close-ups, and soft-focus cinematography scream 1989 in the best possible way. Even if you don't remember every lyric, chances are the video will instantly transport you back to afternoons spent watching MTV after school.

"I Remember Holding You" ended up being The Boys Club's one and only major hit, making them a true one-hit wonder. But that's okay. Sometimes one great song is all you need to leave your mark on pop music history.

I still think this is one of those "lost" '80s tracks that deserves another listen. Every time it pops up on one of my playlists, I'm reminded just how strong the songwriting was, and how many terrific songs from that era have quietly slipped through the cracks.

Boom Radio: Guilty Old-School Pleasures Playlist

 

80s Throwback: Chaka Khan - 'Through The Fire'

By the time "Through the Fire" was released in 1985, Chaka Khan wasn't just a successful singer, she was an unstoppable force. The 1980s belonged to plenty of incredible female artists, but few possessed the vocal power, versatility, and sheer presence that Chaka brought to every song she touched.

She was everywhere.

After scoring a massive crossover hit with "I Feel for You" in 1984, Chaka had become one of the biggest stars on the radio and MTV. That Prince-penned smash, complete with Melle Mel's unforgettable rap intro and Stevie Wonder's harmonica, reinvented her career for a whole new generation. Suddenly, everyone knew who Chaka Khan was. Whether you loved R&B, pop, dance music, or adult contemporary, there was a place for her on your playlist.

Then came Through the Fire.

Unlike many of the upbeat hits dominating the mid-'80s, "Through the Fire" slowed everything down. Written by David Foster, Tom Keane, and Cynthia Weil, the song is one of the decade's defining power ballads. It doesn't rely on big production tricks or flashy hooks. Instead, it lets Chaka's voice do all the work.

And what a voice.

She doesn't simply sing the lyrics, she lives them. Every note feels genuine as she promises to go "through the fire" for the person she loves. It's the kind of vocal performance that reminds you why certain singers are simply on another level.

I can remember hearing this song on the radio and being completely captivated. There was something almost magical about it. It was emotional without feeling over-the-top, sophisticated without being inaccessible. It stood apart from so many love songs of the era because Chaka made you believe every single word.

The music video matched the elegance of the song perfectly. Rather than relying on elaborate storytelling or MTV gimmicks, it focused on Chaka herself, allowing her charisma and incredible voice to carry the performance. Sometimes that's all you need.

Looking back, it's remarkable just how dominant Chaka Khan was during the mid-1980s. She could release infectious dance tracks, funky R&B grooves, heartfelt ballads, and even jazz recordings, and they all sounded authentically hers. Very few artists have ever moved between genres so effortlessly while maintaining such a distinctive identity.

Of course, "Through the Fire" found a second life years later when Kanye West sampled it for his 2003 debut single "Through the Wire." The song introduced Chaka's timeless vocals to yet another generation, proving that great music never really fades away.

More than 40 years after its release, "Through the Fire" remains one of the greatest love ballads of the decade. It's a reminder that trends come and go, but a truly extraordinary voice is timeless.

80s Throwback: Johnny Hates Jazz - 'Shattered Dreams'

 

Shattered Dreams" by Johnny Hates Jazz perfectly captured the polished, sophisticated sound that defined so much of late-'80s pop. With its sleek production, heartfelt lyrics, and unforgettable melody, it's a song that has never really gone out of style.

Written and sung by Clark Datchler, "Shattered Dreams" tells the story of heartbreak after realizing a relationship was built on lies. Instead of relying on over-the-top drama, the song lets its smooth arrangement and emotional honesty do the heavy lifting. That's part of what made it stand out then and why it still sounds fresh today.

The single became an international smash, reaching the Top 5 in several countries and climbing all the way to No. 2 on the Billboard Hot 100 in the United States. It helped launch the band's debut album, Turn Back the Clock, which remains one of my favorite albums from that era.

Sadly, this week brought heartbreaking news for fans of the band. Johnny Hates Jazz co-founder Calvin Hayes, whose keyboards and musicianship helped shape the group's signature sound, passed away at the age of 63. While Clark Datchler's voice became the band's calling card, Hayes was an essential part of the creative force that brought songs like "Shattered Dreams," "Heart of Gold," and "Turn Back the Clock" to life. His passing is a reminder of just how much these musicians contributed to one of pop music's most elegant catalogs.

Nearly 40 years later, "Shattered Dreams" remains a masterclass in sophisticated pop songwriting. It's emotional without being melodramatic, catchy without feeling disposable, and every time I hear those opening notes, I'm reminded why Johnny Hates Jazz earned a permanent place on my '80s playlist.

Rest in peace, Calvin Hayes. Thank you for helping create one of the defining sounds of an unforgettable decade.

Boom Radio: DeepDives With Patrick Hemming

 

90s Nostalgia: Betty Boo - 'Catch Me'

The early '90s were a fun time for dance music. Hip-hop was becoming more mainstream, pop was getting bolder, and artists weren't afraid to mix genres. Betty Boo managed to blend rap, dance, and sugary pop into something completely her own. She wasn't trying to be anyone else, and that's exactly what made her stand out.

While most people remember her for "Doin' the Do" or "Where Are You Baby?", "Catch Me" has always been one of my favorites. It had the same playful attitude, infectious hooks, and enough energy to keep a dance floor moving all night long.

I remember hearing it constantly in the clubs. Back then, club music wasn't just background noise—it was part of your social life. You'd hear a song once on a Friday night, and by the next weekend, everyone knew every word. "Catch Me" was one of those tracks that seemed to light up the room. It was impossible to stand still.

The song also brings back memories of working at Merry-Go-Round, one of the coolest clothing stores of the era. If you worked retail in the early '90s, you know music was almost as important as the merchandise. The soundtrack played all day, introducing us to artists we might not have discovered otherwise, and Betty Boo fit perfectly with the colorful fashions and youthful energy of the store. Between folding jeans, helping customers find the latest trends, and chatting with coworkers, songs like "Catch Me" became woven into everyday life.

Looking back now, Betty Boo was ahead of her time. Long before it became common to see female artists effortlessly blending pop hooks with confident raps, she was doing exactly that. Her style was bright, witty, fashionable, and unmistakably British. She helped pave the way for countless female pop artists who followed.

Listening to "Catch Me" today still puts a smile on my face. It reminds me of nights spent dancing, afternoons at Merry-Go-Round, and a time when life felt a little simpler and every weekend promised another great soundtrack.

Some songs become classics because they top the charts. Others become classics because they become part of your story.

Hard Rock Throwback: Headbanger Heaven Playlist

 

80's Throwback: Tina Turner- 'Private Dancer'

"Well the men come in these places

and the men are all the same

You don't look at their faces

and you don't ask their names

You don't think of them as human

You don't think of them at all

You keep your mind on the money

keeping your eyes on the wall

I'm your private dancer

a dancer for money

do what you want me to do

I'm your private dancer

a dancer for money

and any old music will do."

In 1984, I was completely hooked on Tina Turner.

Like a lot of people my age, Private Dancer was my introduction to Tina. At the time, I knew nothing about her incredible journey with Ike Turner or the years she spent fighting to rebuild her career as a solo artist. All I knew was that the second the video for "What's Love Got to Do with It" came on MTV, I couldn't look away.

Back then, my dad had a pretty great system. He'd buy the latest 45s, record them onto one of his mixtapes, and then I'd inherit the singles. I still remember bringing those records home and playing them over and over again. Like just about every radio DJ at the time, my dad couldn't stop talking about Tina's iconic fishnet look on the Private Dancer cover. Me? I just thought she was the coolest woman I'd ever seen.

By the time the album's title track, "Private Dancer," was released as a single, I was already a full-fledged fan. Ironically, I wasn't crazy about the song the first time I heard it. It felt slower than the other hits from the album, and I didn't immediately connect with it. But sometimes the songs that take the longest to grow on us become the ones we treasure most.

Now, all these years later, "Private Dancer" is one of my favorite Tina Turner recordings. I also love the different videos that have been released for it, but this live performance from Wembley Arena has always been my favorite. It captures Tina at the height of her powers, commanding an arena packed with fans who hung on every word.

Watching it today is a reminder of why she became such a legend. The performance is understated, elegant, and completely captivating. It's proof that great songs—and great artists—never really age. They just find new generations of fans to fall in love with them.