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DailyBoom Your Old School Music Authority

Monday, June 14, 2021

Daily Boom 80's Throwback: Journey- 'Why Can't This Night Go On Forever'

Raised on Radio (Journey album - cover art).jpg

"Lost in twilight, the memories
Precious moments, you and me
We've been old friends, all through the years
Picture postcards, sharing tears
What's in our hearts, there's never time, to say
Need you tonight, lover don't fade away
I've seen your city lights
As I walk away."

When I think of 80's groups one of the first that has to come to mind is Journey. Whether they were rocking out or serving up one hell of a power ballad, Steve Perry and the rest of the guys always made a rock solid impression. It's really hard to choose just one favorite Journey song too. It totally depends on my mood on any given day. While I love their earlier stuff, Journey's 9th studio album, Raised on Radio has always been a favorite of mine.

The fifth single off of it, for whatever reason didn't do so great which at the time was pretty shocking to me. "Why Can't This Night Go on Forever" seemed like a pretty solid ballad to me and it was done in the same vein of every other one that charted well- or maybe that was the problem. Maybe back in 1986 we were all looking for something a tiny bit different from the guys. Regardless, it's still a really great song that seems to often be forgotten in Journey's extensive catalog of hits. Check it out for yourself below. Does this song ring a bell?

Sunday, June 13, 2021

Daily Boom 80's Throwback: Dan Hartman - 'We Are The Young'

"Every street is an arcade of dreams
Uptown, downtown, explodin' at the seam
With lights and sounds and the soul parade
White and blue-collar promenade

We are the young, we are the young with the modern attitude
Breakin' down the walls, breakin' all the rules
We are the young, tomorrow comes and we might blow away
So we don't worry 'bout the price we pay."

I really loved Dan Hartman back when I was in 8th grade. "I Can Dream About You" was one of my very favorite songs and for as much of a fan as I was (or at least thought I was), I didn't remember"We Are The Young" until Martha Quinn played it on SiriusXM the 80's on 8 the other night. Like, not at all. I'm pretty sure I must have loved it at one point in time in spite of that.

"We Are The Young" was actually Hartman's third and final single to make the charts and it was considered a crossover hit because it first ranked on the dance charts. Hartman's music has lived on long past his short life ended back in 1994. Apparently, the singer died of an HIV related brain tumor after years of living his life as a closeted gay man. Songs like this one and "I Can Dream About You" make me wonder what else Hartman might have given us had he lived longer.

Check out the video for "We Are The Young" below. Does this one ring a bell?

Saturday, June 12, 2021

Daily Boom Sunday Soundtrack: Above the Rim

Daily Boom Lost Hit: Boyz ll Men- 'Motownphilly'

Daily Boom 90's Nostalgia: Jewel- 'You Were Meant for Me'

"I go about my business, I'm doing fine
Besides what would I say if I had you on the line?
Same old story, not much to say
Hearts are broken, every day."

Jewel burst on the scene at just the right moment in the '90s. Hairbands and grunge had both died down and R&B was slipping just a little. New Jack Swing and house music were on the sidelines and we were needing something fresh so along came Indie-rock chicks.

Sarah McGlaughin, Shawn Colvin, Paula Cole...the list is endless. One after another they pinned songs designed to tug at our heartstrings as well as our wallets, and it worked. Jewel's "You Were Meant For Me" became a classic almost overnight.  Especially if you were college-age and trying to fill a void left by a guy. Oy was kind of the official song for breakups that aren't mutual. 

I remember watching Jewel's earliest videos and being mesmerized by the simplicity.  There was nothing flashy or glitzy. Almost the exact opposite. The visuals, while stunning, were primarily about this young woman and her guitar. They told a story all on their own. One that's worth revisiting so check it out bek

Thursday, June 10, 2021

Daily Boom 80's Throwback: Cinderella- 'Nobody's Fool'

"You take your road, I'll take mine
The paths have both been beaten
Searchin' for a change of pace
Love needs to be sweetened
I scream my heart out, just to make a dime
And with that dime I bought your love
But now I've changed my mind
I'm not your fool
Nobody's fool
Nobody's fool
I'm no fool"

Cinderella's debut album, Night Songs is more than 30 years old. THIRTY! Does that make you feel as old as it makes me feel? I'd say that Cinderella spent a few their early year's lost in a sea of fellow headbangers but when I looked back, they actually did chart pretty well. They were also innovative in that all of their first videos had a continuing storyline.

In their first video, "Shake Me" a Cinderella-type girl was transformed into a bad girl that hung with the band. Her wicked sisters (AKA the polka dot twins) were always nearby. "Nobody's Fool" picks up the story with Cinderella heading to practice with the guys but then leaving in order to make it home by midnight.

"Nobody's Fool" ended up being a really popular power ballad, with tons of radio play. MTV also had the video for it on an every four-hour loop for months. In an era where power ballads by glam rockers were everywhere, this song probably lands in my top five or six.

Wednesday, June 9, 2021

Daily Boom 80's Throwback: Madonna - 'Papa Don't Preach'

Madonna Papa Don't Preach

"Papa I know you're going to be upset
'Cause I was always your little girl
But you should know by now
I'm not a baby

You always taught me right from wrong
I need your help, daddy please be strong
I may be young at heart
But I know what I'm saying"

Madonna dominated both the airwaves and the style of 1986. She had basically reinvented herself for the second time in just a few short years and came out with a super toned body and a cropped do'. The result was a strong and powerful looking woman and that served the message of "Papa Don't Preach" quite well. The whole concept of the video is that of a young woman telling her father that she's pregnant and it was super controversial thirty years ago.

Some groups feared that she was promoting pregnancy while others insisted that the message was that she was against abortion. In the end, Madonna's actual position was almost irrelevant because she opened up dialogue on a conversation that had been taboo. Oh and the song, well it shot to number one on Billboard's charts. Check out the video below!

Daily Boom Lost Hit: Denise Lopez- 'Don't You Wanna Be Mine'

Daily Boom 80's Throwback: Stacey Q -'Two Of Hearts'

"People get jealous 'cause we always stay together, yeah, baby.
 I guess they really want a love like yours and mine.
 Together, forever. I never thought that I could ever be this happy, yeah, baby.
My prayers were answered or you came in the nick of time."

Stacey Q burned up radio request lines in the summer of 1986 with her one hit wonder "Two Of Hearts". I remember the catchy hook, "I need you" being stuck in not just my head, but also my father's! It landed in Billboard's top three and also ended up being one of the biggest songs of the year. It still is one of those tunes that makes it pretty impossible to stay still and I think just about everyone has heard it at least once.

Every now and then Stacey Q will pop up on a stop of the Freestyle Explosion tour and when she does, "Two Of Hearts" is one of the biggest sing-a-long songs of the night!

Tuesday, June 8, 2021

Daily Boom 80's Throwback: Nayobe- 'Please Don't Go'

Please don't go, please don't go
Don't go there tonight
It just isn't right
You may not come back to me
Our future we'll never see
You're throwing our life plans away
Please don't go

While I technically live near the beach now, that feeling of driving "down the shore" as a kid never fades. It was a once a year occasion that amounted to being just about everything to me and my friends. Wildwood, Ocean City, Seaside Heights were all a possibility and I think that memory of hitting the boardwalk at night as a kid is one that I'll never forget.

Spending 4 hours in the car also meant that we were driving to where the coolest music was. In 1985 I alternated between rock and club music and I think the latter just epitomizes boardwalk fun. The songs blaring in all of the t-shirt shops on the boardwalk were ones that I would never hear on the radio at home. In 1985, Nayobe's "Please Don't Go" was hands down THE club hit of the summer and now even 30 years later it is still identified as one of those songs that remind my generation of summer beach fun.

Even if you have no clue who Nayobe is, I'm going to bet that you'll remember this song.

Sunday, June 6, 2021

Exclusive Interview: Jeanette Jurado of Exposé Grateful to Share the Stage with Her 'Sisters' Thirty Years After 'Exposure'

Since Covid-19 has brought gigs to a screeching halt we are flashing back to some of the best of the best content here at DailyBOOM.


There are very few albums in my life that I've liked from start to finish Exposure, the debut effort from legendary girl group Exposé is still near the very top of my shortlist of favorites. 1987 was a year of firsts for me- the first job slinging fish in a fast-food restaurant. First summer of freedom thanks to turning sixteen and having a bestie with a car. A first taste of heartbreak courtesy of a boy that I didn't honestly even like. Exposé was there with me every step of the way. Whether they were blaring from a boombox while my friends and I laid in the sun covered in baby oil or were whispering through my Walkman headphones about seasons changing while tears rolled down my cheeks at 2am, they were there. And I was grateful.

Perhaps the best thing about the 80's being so hot right now is hearing my kids walk around the house singing the exact same songs that I was singing at their age. Why? Because the music is fun and it holds up and that's precisely the reason why you can catch acts like Exposé (Jeanette Jurado, Gioia Bruno and Ann Curless) still lighting up the stage. Over the last few years I've had a few opportunities to catch the ladies live and to connect with both Gioia and Ann, both of whom I adore.

Jeanette has been a bit more elusive. I'd liken it to catching a unicorn, you just know that if somehow you can make it happen it'll be totally worth the time and effort. This week I was finally able to chat with her one-on-one and was not disappointed. She is deeply devoted to her family, including her Exposé sisters, and has a sense of humor and a sarcastic streak that I really appreciate. Most of all, Jeanette was totally present in this interview and really dug deeper than even I expected. Check it out below. Click the links and if you have an opportunity, go and see Exposé live. I promise you'll love every minute!

Cate Meighan: It has been more than thirty years since you, Gioia Bruno and Ann Curless broke onto the music scene as Exposé, What is it that keeps you still out there performing in 2017?

Jeanette Jurado: First of all, I'm not at peace with myself or comfortable with myself unless I'm singing somewhere. If I go too long without singing my boys are like “Mom!!!” because I'm singing around the house or I'm singing in the shower full blast (laughing). I have to have some way to be able to get that out of me, it's like this built up energy and if I can't go out and sing then I'm not a happy individual. The second reason is actually getting together with Gioia and Ann. I keep joking with them about how you hear of maybe once a year girl's getting together with their friends and planning a girls' weekend. I get to see them all the time and get paid (laughing)! What's there to complain about? We go and stay at a nice hotel, enjoy dinner and catch up on what's going on in each others' lives. The third thing is the audience, of course. That moment when you first go out on stage and you just feel the audience and the energy of that room. It really is, quite addicting. It's really all of those things that keeps me out there performing regularly.

(Photo: Robert Valesco)

CM: Onstage I know that you refer to each other as “sisters”. Does it really feel like a sisterhood to you?

JJ: It's absolutely true. I have two real-life sisters, no brothers. I'm the middle of the three. There's nobody that I argue with and love more. In some ways you can kind of get away with stuff because you love them so much that you know you're going to come back and work it out. Ya know, you're sisters so you kind of have to. That's the same way that it is with Gioia and Ann and I'm glad that we feel comfortable enough to be horrible with each other sometimes (laughing). I think it's a healthy thing and whenever there is a conflict between us I do think, “Okay, they're my sisters and I know we're going to get past this just give it a little time.” and in the end, we always do.


CM: The group really skyrocketed quickly (seven back-to-back top ten Billboard hits) and you found yourselves on the road with your sisters. Did you enjoy that part back in the early days of Exposé?

JJ: That's a hard one. There was a time when we were in Europe together, I think we were in Scotland and I was just so young and homesick. Growing up I was never one of those kids that wanted to travel the world, I was not even interested (laughing). I thought I was going to get married and have children and stay in East LA for the rest of my life so, surprise (laughing)! I was very young and I was literally having a hard time getting out of bed. I just wanted to stay in the hotel, order room service and watch CNN because it connected me to the United States. Had it not been for Annie, who had to literally at one point go and get a key to my room and force me to come out- and she yanked me out (laughing) and made me leave. She said I'd never get this opportunity again and that I had to get out of bed because she had made reservations to go see this and that. I think I was literally crying and she would often push me to go and see things that I thought I had no interest in. Had it not been for her I probably wouldn't have enjoyed half of the places that we traveled to.

That still really sticks out in my mind. I'm so grateful and I always thank her because without Ann I wouldn't have done half the things that I did. I'm much different now, but I think then I was just so young and naive that I didn't realize the golden opportunity that was right in front of my eyes that I fell into. I just didn't get it. I just thought, oh this happens to everybody that wants to be a singer (laughing). I think back now and it's comical, I thought it would always be there and I'd always be traveling- you know, who doesn't get a tour bus (laughing)? Because when you grow up and this is what you wish for this is what happens, right? No. Now I look back and realize the amazing blessings I had. Just the record company and having Gioia and Ann and being able to travel. It was all a little miracle in itself. Now I know! You're young and you think you're just invincible until you grow a little more and realize you're not.


CM: Once Exposé started to conquer the charts several other girl groups like Sweet Sensation and The Cover Girls also started to break out. Did you keep your eye on the competition?

JJ: I'd have to say I was pretty secure (laughing) only because we were so busy that I probably wasn't even paying attention. The three of us discuss that quiet often, how we were so busy and just spinning in everything going on within us and around us. Everything was so new to us so to tell you the truth I was not paying attention. I was secure in a very naive way (laughing). I had enough to worry about within Exposé to waste a minute worrying about anything outside of Exposé. We were absolutely in our own bubble and I don't remember having conversations about what anyone else was doing.

CM: When the group disbanded back in 1996, were you ready to move on?

JJ: I was def ready. We were all just so miserable in that contract. I didn't think that at the time I was saying goodbye to Kelly (Moneymaker, who replaced Gioia Bruno in the early 90's) and Ann. I knew that it wouldn't be goodbye for the three of us so I was good with that. I knew that wasn't gonna go away. But we were all just so tired of waiting to be told what we could or couldn't do. We were also not as young as when we had first started and so there were other things that had become important to us. Our freedom being one of them(laughing). I was definitely ready to not be in that position any more.


CM: So then you fast forward a decade and you girls decided to reunite. Was that an easy transition or did it take some pushing?

JJ: It took a little pushing in the beginning. It was weird talking to the girls about coming back. I think so much of it for me was wondering if we would still have an audience, because I didn't know for sure. I had met a friend that suggested we get back out there and I called a few booking agents thinking that interest really wouldn't be there. But once I had conversations with various people that were still anxious to work with us, then I thought that maybe we were just missing out on an opportunity to still be doing this. I think some pushing came between the three of us, actually putting ourselves in that zone after we had been on our own for so long. We are three very headstrong women and getting together and making decisions can be tough. Sometimes what's great for Ann and I may not be the best thing for Gioia or vice versa and so it's always a compromise. Just like in any marriage, it's a constant compromise and so it takes a lot of putting your ego aside. Luckily, we were all ready to do that and so, here we are. Ann and I still have kids at home to worry about. The good thing is that Gioia is also a mom (her daughter is 29) so she really understands those feelings and that love and how important it is to be present. Somehow it all balances itself out. She knows that this is the real gig, here at home (laughing).

CM: I'm generally a B-side girl when it comes to music. What are some of your favorite Exposé songs that maybe weren't released as singles or haven't gotten the mainstream accolades as say, “Point Of No Return”?

JJ: A favorite of mine that didn't get as much attention. Funny enough, “In Walked Love” I love doing and I love the adult contemporary genre of our songs. I love being able to sing background (laughing). I love sitting behind Gioia or Ann and supporting them because I don't get to do it all the time. I get to sit back and really hear their voices and work on blending backgrounds and those are some of my favorite moments and songs. We rate our own performances on whether or not it was a great blend or the volume of the band. Those are all of the things I'm actually thinking of (laughing) and we need to have the full band with us to really figure out how to tweak our performances in general. We all discuss the technical part when we get off stage.

It depends on the audience that we're about to perform for how we pick our songs and how we get to perform them. When we're doing the freestyle shows and it's a bunch of people onstage then we only have a short amount of time and I know the audience is there to hear the hits. So it's like bam- bam-bam, I'll arrange the show that we're about to do to please that audience. When we have a show where we have a live band, then I know it's more relaxed and we have an opportunity to play around with our arrangements and our song choices as well. It's a much more personable audience and so we have to be more personable as well. That gives us a better chance to talk to our audience, maybe tell them a story about the songs and really just play off of each other a little bit. I think the audience expects to see that investment from us at that type of show.

CM: Expose` shows are generally on the weekend and so what does a typical weekday look like for you now?

JJ: Right now my day consists of doing things with the boys because they're out of school. When they're in school it's so much easier (laughing) because when they're here it's like “Mom can we do this, mom can we do that...” so there's a lot of planning around them and cooking three times a day rather than just once. Right now I'm also putting together another band and getting all of the music together , talking to the guys. A lot of scheduling and figuring out who is free for certain dates. There are new arrangements for the live band shows that we're doing. That's my day. I also talk to the booking agents and figure out if we want to do dates or not. So it's a little of family and work. I'm all encompassing of my family but I also get to do a little Exposé stuff  too. It's important to the three of us that we all have a responsibility in the group and so we've sliced it up in three pieces. My piece happens to be the music part of it.

I don't think that I'm any more technical than Gioia or Ann is but I have the advantage of working regularly with the band. Most of the time when we go out on the road I have a closer relationship with them because I work with them from where I live. I rehearse them and choose which band members we're going to use and so by the time we get to the stage there's already a great relationship between me and the guys. Ann and Gioia will sometimes just be working with them for that day or two and then they're off. So I keep up the relationship with phone calls so I'm kind of the link between the three of us and them.

CM: I think that our kids are about the same age. Is it as hard for you to step back and let your boys become more independent? I know I struggle with helicoptering myself.

JJ: I struggle every single second of the day. It is so difficult for me and the fact that my boys are both driving just like, drives me insane. You pray every time they get in the car and it's so difficult to let them fly on their own. I keep myself in check because I don't want to ruin them by being too over protective. It's just hard because there's no way that you can make sure they're safe once they go out the door so I have to tell myself that I've done my best. I've taught them, talked to them and then I shout things to them at least 12 times as they're walking out the door (laughing). These poor kids. It's my hardest struggle of all, letting them go.

CM: You so rarely speak on the record, what would you like to say to all of the fans that still listen toExposé and venture out to the live shows?

JJ: Oh my gosh, it's going to sound so corny but I'm just so grateful to them. I'm grateful that they have a desire to come and see us and that it's important enough to leave their homes and spend their hard earned money- whether it's for the first time or the fourth time. Sharing that time with them means so much to me, now more than ever, so I'm just really grateful. We did a show recently and it was a city-run event. The audience wasn't as big as we're used to, the advertising was a little strange and it was very hot. We performed and then after the show we actually walked around after the show and talked to the audience, which we never ever get to do. It was just the best thing talking to them was so wonderful. It's just like when I go to see a group that I admire or grew up with. When you meet them you tell them the story of why they're so important to you and what their songs remind you of. I love hearing all of that stuff and we so rarely get a chance to really do it!Even if we're signing autographs after a show it's not the same. This time we went out to talk and to connect with as many people as we could as they were leaving. It was so cool and I wish we could do that more often, have those actual
conversations when things aren't so crazy and venues aren't rushing to get people out the door.

The people were introducing us to their kids that they brought along,those Exposé babies
 (laughing)It was just so great and I wish and hope we'll maybe be able to do that more often. It's still weird to think that our songs and our music means as much to people as some of my favorites mean to me. So when we're reminded of our impact, for whatever reason, it makes me more grateful now than I've ever been. How can I not be? It just melts my heart knowing that it touches someone. 

Check out everything imaginable about Exposé HERE

Catch  live- tour dates HERE

Revisit the videos HERE

Connect  on Facebook HERE

Connect on Twitter HERE

Follow Exposé on Instagram HERE

Coming in August! Keep your eye on Exposé social media for more details!


Saturday, June 5, 2021

Daily Boom 80's Throwback: Metallica - 'One'


Imprisoning me
All that I see
Absolute horror
I cannot live
I cannot die
Trapped in myself
Body my holding cell

Has taken my sight
Taken my speech
Taken my hearing
Taken my arms
Taken my legs
Taken my soul
Left me with life in hell "

1988 brought with it an onslaught of hair bands that took turns dominating the charts. If you weren't an actual fan then being able to distinguish between Whitesnake, Europe and Skid Row was probably damn near impossible. Each power group a lineup of hot men with better hair than most of the girls that I knew. Metallica had been toiling in the hard rock ranks for years but it was the final single off of their fourth album that was a total breakthrough.

"One", an anti-war song skyrocketed into MTV's heavy video rotation almost immediately with a video that alternated between scenes of a supposed war vet sent home to die and actual footage from the 1971 anti-war film Johnny Got His Gun. The strong lyrics along with the black and white visuals helped Metallica to win the very first Grammy in 1989 for a Best Metal Performance. 

This is one of those songs that always gives me chills and it's beyond words live. 

Boom Radio: Deep Dives with Patrick Hemming (Aired 6-4-21)

Listen to "Deep Dives 06 04 21 Classic Hi-Tech AOR & Melodc Rock" on Spreaker.

Daily Boom 90's Nostalgia: En Vogue - 'Don't Let Go (Love)'

What's it gonna be 'cuz I can't pretend
Don't you want to be more than friends
Hold me tight and don't let go
Don't let go
You have the right to lose control
Don't let go

I love when every member of a girl group can hold their own vocally, don't you? Throughout most of the 90's no other girl group seemed to compare to En Vogue. When the ladies (Cindy Herron, Dawn Robinson, Maxine Jones and Terry Ellis) first broke through with "Hold On" off their debut album Born To Sing in 1989 it was immediately clear that they would become a force to reckon with. From that first single on En Vogue found great success with nearly every track that they dropped and it didn't hurt that their videos were as hot as their music.

"Don't Let Go (Love)", released in 1996 on the Set It Off soundtrack is arguably the group's best vocal performance ever and it also marked the end of Dawn Robinson's stint with them. The single sold 1.3 million copies in the states alone and quickly became En Vogue's top international hit. It was also nominated for a Grammy in 1997, at a point when En Vogue's line up and future was in a state of flux.

Years of legal wrangling followed the release of "Don't Let Go (Love)". Maxine Jones and Robinson both embarked on solo careers but fought for the rights to still use the En Vogue name. It was a fairly unsuccessful plight and you can actually catch Ellis, Herron and Rhona Bennett on tour now. The ladies are currently part of the lineup on various 80's tours that are winding their way across the country and yes, they still sound fantastic live!

Currently Booming: Falco- 'Rock Me Amadeus' on American Bandstand (1986)

Thursday, June 3, 2021

Daily Boom 80's Throwback: Pat Benatar - 'Love Is A Battlefield'

"We are strong
No one can tell us we're wrong
Searching our hearts for so long
Both of us knowing
Love is a battlefield
You're begging me to go
Then making me stay
Why do you hurt me so bad
It would help me to know
Do I stand in your way
Or am I the best thing you've had
Believe me
Believe me
I can't tell you why
But I'm trapped by your love
And I'm chained to your side."

Pat Benatar is a female rock legend by probably just about anyone's standards, but believe it or not my favorite song by her features that nifty drum beat. Of course, I'm talking about "Love Is A Battlefield" (which is still fantastic to this day if you're lucky enough to hear it live). The 1983 hit is one of Benatar's best charting songs and it also earned her a fourth Grammy. The video also helped to put her into MTV's record books because it is the first one ever aired that featured a real storyline, with speaking parts.

Now the video is really well down but watching Benatar dance has always seemed a bit odd to me. But the song itself is really pretty fantastic. A great rock song with a beat that makes it hard to stay still and lyrically, well, we have all been there. Love is hard. Check out the classic video below!

Daily Boom 80's Throwback: Mötley Crüe - 'Home Sweet Home'

"You know I'm a dreamer
But my heart's of gold
I had to run away high
So I wouldn't come home low
Just when things went right
It doesn't mean they were always wrong
Just take this song and you'll never feel
Left all alone
Take me to your heart
Feel me in your bones
Just one more night
And I'm comin' off this
Long and winding road
I'm on my way
I'm on my way
Home sweet home"

There was a point in time when I was in tenth grade where I couldn't escape Motley Crue, nor did I want to. I probably saw the Video for "Home Sweet Home" a thousand times in 1985 and my reaction was always the same. I stopped whatever I was doing to watch it as if I'd never seen it before. It's not like they were MY group and like I had a low key obsession with them because I didn't. But I loved Theatre of Pain and at the time I appreciated every cut off of the album.

I wasn't alone either. Not only were the boys extremely popular but they really did help to usher in the whole hair band thing. Groups like Motley Crue helped to grab our attention and then Def Leppard, Whitesnake, RATT and a bunch of others helped to hold it. The video for "Home Sweet Home" features a look at life on the road for the band back in 1985 and it gave the MTV generation a clue about just how many people were being turned on to the idea of glam rock- enough to drop money on tickets. Check it out below. Do you remember the first time you saw it?


Tuesday, June 1, 2021

Currently Booming: Apollonia 6- 'Manic Monday' (Demo)

The untimely death of Prince has lead to a lot of interesting nuggets circulating across the internet. One of the more interesting things that I've stumbled onto is this demo of "Manic Monday" that was recorded (and never released) by Apollonia 6. Prince originally wrote it for his then-lover Apollonia and her girl group but when their popularity kind of tanked after Purple Rain he instead decided to give it to another girl group- of course The Bangles. We now know that this song launched The Bangles career almost overnight. Take a listen to the demo below, do you think Apollonia 6 would have fared nearly as well?

Daily Boom 80's Throwback: John Waite - 'Missing You'

Every time I think of you 
I always catch my breath 
And I'm still standing here 
And you're miles away 
And I'm wondering why you left

And there's a storm that's raging
Through my frozen heart tonight

I hear your name in certain circles
And it always makes me smile
I spend my time
Thinking about you
And it's almost driving me wild

And there's a heart that's breaking
Down this long distance line tonight

I ain't missing you at all
Since you've been gone away
I ain't missing you
No matter what I might say

The summer before 8th grade there was one ballad that was constantly on the radio- John Waite's "Missing You". The video stuck in my head too because as a kid I was positive that he was walking down streets in NYC, a place that I was obsessed with. It wasn't until I was much older that I learned that it was actually filmed in LA but on a non-descript street so it could look like any big city at all. 

As for the song itself, it still kinda tugs at my heart strings just a little. It's also timeless and I think it holds up as one of the best ballads to come out f the 80's.

Daily Boom Lost Hit: RATT - 'Back For More'

Monday, May 31, 2021

Daily Boom 80's Throwback: Don Henley- 'The Boys Of Summer'

But I can see you-
Your brown skin shinin' in the sun
You got your hair combed back and your sunglasses on, baby
And I can tell you my love for you will still be strong
After the boys of summer have gone

I remember back in 1984 when Don Henley's "The Boys Of Summer" was first released I was kind of mesmerized by the video. It might have been the first time in my life that I realized that I loved black and white videos and let's face it, when you fast forward 3+ decades the footage still holds up. It's timeless. When I was 13 I couldn't imagine the concept of being middle age and reflecting back on my younger years as this video depicts. Thirty sounded old and forty was as good as dead because it seemed so far off. Ironically, reflecting back is exactly what Daily Boom now does seven days a week so I guess there really was something to that notion when this video was first made.

"The Boys Of Summer" seems like an important part of just about everyone's summer musical diet so here ya go, enjoy it!

Sunday, May 30, 2021

Boom Radio's Summer Kickoff (Aired 5-30-21)

Boom Daily Throwback: Winger- 'Headed for a Heartbreak'

Kip Winger. Just stare at the photo for a minute because doing that will likely drag you back in time. I stumbled onto an interview with the rocker in a (GASP) 25-year-old issue of Sassy magazine and was kind of sucked in. I was 17 when he and his band, Winger, first broke through and even then he struck me as smarter than the average bear. I'm not sure what drives this interview more, his intelligence or the reporter's love for him.  I think you had to be there to be sure.

But he is smart and back then he had a clear direction of what the bands' second album would be. It was pieced together in a pretty painstaking way, which I appreciate. I've loved their catalog of music over the years, but Winger's self-titled debut remains my favorite. It was one of those albums that I played almost all the way through and it followed me everywhere. It was in my Walkman, in my stereo, playing on the bus to school and then one of the things that we listened to at the end of the night at work.

Winger was everywhere. That first album spawned four singles and spent well over a year on Billboard's Hot 200 album chart. It also recently was named one of Rolling Stone's Top 50 metal albums of all time, kind of proving that this band still stands out from the mountain of hair bands that came and went over the years.

Winger has released several albums over the years and they are still together and touring as I type. I could have chosen several videos to feature but I need to take you guys back to "Headed for a Heartbreak" but done with the Colorado Symphony.   It's still gorgeous, don't you think?

Daily Boom Lost Hit: Madonna- 'Justify My Love'

Saturday, May 29, 2021

90's Nostalgia: Lisa Fisher- 'How Can I Ease the Pain'

All alone, on my knees I pray
For the strength to stay away
In and out, out and in you go
I feel your fire
Then I lose my self control
How can I ease the pain
When I know your coming back again
And how can I ease the pain in my heart

I have to admit, I had completely forgotten about Lisa Fisher's "How Can I Ease The Pain" until MTV Classic played it's stunning video the other day. Whatever I was doing at the time, I stopped to watch every second of it. This, is easily one of the very best ballads of the 90's. When it was released back in 1991 Fisher kind of skyrocketed to success. She was the IT girl and was expected to follow "How Can I Ease The Pain" with years of equally gut-wrenching ballads. Her Grammy win for the track only reinforced that notion.

So where has Fisher been for the last 25 years? The answer is everywhere. She has toured, dueted and provided backing vocals for Tina Turner, The Rolling Stones, Patti Labelle, Chaka Khan... you get the idea. She also does tour on her own and sounds even better live. Few songs from the 90's connect with heartbreak quite like "How Can I Ease The Pain".

Boom Radio: Mojo Rocks with Mojo Moomey (Aired 5-28-21)

Daily Boom Lost Hit: Pebbles- 'Mercedes Boy' (Live at The Apollo)

Daily Boom 80's Throwback: Boy Meets Girl - 'Waiting for a Star to Fall'

"I hear your name whispered on the wind

It's a sound that makes me cry
I hear a song blow again and again
Through my mind and I don't know why

I wish I didn't feel so strong about you

Like happiness and love revolve around you
Trying to catch your heart
Is like trying to catch a star

So many people love you baby

That must be what you are"

The video to Boy Meets Girl's "Waiting For a Star to Fall" was on tv this morning and while it's not a song that I often think of, it's one that drags me back to a point in time. This was one of those songs that you couldn't escape during the summer of 1988. It was on in the car. On in the grocery store. On in the mall. And, that was a good thing because it just made your life a bit better whenever you heard it. Great melody, great lyrics written and performed by a then-happily married couple. It was all good and whenever I heard the song I wanted a little piece of that "all good-ness".

The story behind "Waiting For a Star to Fall" is interesting because Shannon Rubicam and George Merrill originally wrote it and submitted it to Whitney Houston's people. They passed on it but Belinda Carlisle's people grabbed it up and literally made her record it. She hated the song and fought hard to keep it off of her album.

At that point, Rubicam and Merrill decided to record it themselves and then added it to their second Boy Meets Girl album. The result? A smash hit and the group's ONLY hit so in the end, they must have been glad that no one else ended up using their song.

Check out the video below. The little blonde girl is actually Rubicam and Merrill's daughter!