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Showing posts with label Steve Lukather. Show all posts
Showing posts with label Steve Lukather. Show all posts

Saturday, April 29, 2023

Exclusive Interview: Toto's Steve Lukather on the Band Taking an Extended Break, a Second Book in the Works & Playing with Ringo Starr

Steve Lukather 

ICYMI- We are flashing back to some of DailyBOOM's most popular features. Enjoy this one!

Steve ("Luke") Lukather may be best known as a vocalist, guitarist, songwriter, producer, and founding member of the iconic band Toto, but that's just scratching the surface of what he is actually capable of. He started his career as a session musician and you'll find his work, spanning various genres, on more than 1,500 albums. Lukather has spent decades working alongside so many of the industry's best, but Toto is his main job, and cultivating the musical fruits of the bands' labor has been the centerpiece of his prolific career.

It was recently confirmed that Toto will be taking an indefinite break after their October 20th show at The Met in Philadelphia and I was lucky enough to catch up with Lukather for a chat about the band winding down, and what's next for him. Check it out below!

 Steve ("Luke") Lukather on life on the road:

"We work about five days a week and those days off cost money. Luckily I don't really need more than a day or two off once in a while. I'm out here working, it's not a vacation and I spend a lot of time in hotel rooms. They've turned into a bit of a sanctuary, to be honest with you. Especially since I'm running the business end of things too. I mean, there's a great team but I have to wake up and make all the decisions and take care of all the BS. That means that I've got to be up early and I've got to have some space to do things. I've got my guitar with me so I practice that and take care of the band business. I've got things to do and if not I can always watch films or peruse the internet or something.

I've been around the world so many times that going out to sightsee is almost laughable at this point! I've already done that so many times in the 44 years that I've been doing this, so I just kind of stay to myself. There's nothing normal about my life, but I've normalized it. I used to be a crazy party guy and so the days were spent recovering. Now I get up when I used to go to bed (laughing). I have to be sober, together and functioning to run a business on top of being an older guy on the road. I have to take care of myself now. I had my wild days and it was fun, I guess. They tell me that I had a great time (laughing), so I've got nothing left to prove in that arena. I'm really fine being an older guy out here and you have to learn to like hanging out with yourself, otherwise, you'll go mad (laughing).

It can be terribly depressing at times too. I've got little kids as well as grown kids, then my dog passed away and I was on the road when that happened. There are things that you just can't prepare for, but you've got to deal with them. I chose this job and the great thing is that the good parts are great and the things that suck, well they really suck and that makes it just like anyone else's life. My doctor has known me through every aspect of my career and I told him he should really come along and do everything that I do, eat what I eat, sleep when I sleep. Travel around with me for a month and then tell me your real thoughts on this job because in some ways it's tougher than people think."

Luke on being away from his family:

"It's very hard having little kids and being on the road, but it has always been that way. My father was in the television and movie business, so he would go on the road for six months at a time, long before cell phones, and I didn't love him any less. That gives me a little peace. My kids only know me this way, so if they only know me this way then there is nothing else to compare it to. When I come home I'm a dad and I do all the dad stuff, which I love doing."

Luke on working with his oldest son Trev:

"Ever since he could play guitar at all he has been working on my records with me. He has played songs for my solo record and he has played live with the band. He wrote Halestorm's first hit, so he has got a gold record, and he plays in this band What So Not that headlined Lollapalooza. Then he has his new band ZFG, with Mike Pocaro's kid on bass, There's a bidding war for that band, wait until you hear them! They opened for us all summer in Europe. He's my best friend so we always try and do as much as we can together. Right now it's his turn to be the artist. That's what he is focused on and I'm trying to help him with that."

Luke on Toto's music being categorized as 'yacht rock':

"The term yacht rock is kind of funny. All they did was put a label on a thing that we called, going to do session work, and we did that every day for fifteen years (laughing). They'd put a piece of paper with a bunch of cord symbols in front of us, count off the song, and then you better play something because that's what you got hired to do. All of those records have suddenly become a genre. We didn't write all that music but we did contribute to the arrangement and the performance of it. We gave a lot of ourselves. That was just the era and style of music back then, sure there's some cheesy shit in there but there's also cheesy stuff today.

They always want to put terminology on things. They can't just say, hey this is a cool band, instead it has to be called soft rock. I mean at what point did the music go from soft rock to hard rock, what is the criteria for that shift? Is the guitar louder or does it have a bigger drum sound?  Why do we need terminology? If you don't like something that's cool but in the end, an E-chord is still an E-chord. Everyone likes things in a nice tight little box and there it is, now we know what to call it (laughing). The fact of the matter is that regardless of what anyone calls it, none of us expected any of this music to last almost 45 years like it has."

Toto Official Promo Shot

Luke on Toto becoming an interesting part of pop culture:

"We were Family Guy characters the other night and how cool is that? It was absolutely hysterical, we were howling with laughter. "Africa" kind of went crazy for us these last few years, it has kind of leveled off now which is fine with me, but it was really great for our careers. Everyone always says 'Africa by Toto' which makes us part of the whole schtick and gives us free publicity (laughing). I love all of it and it's an honor for us to be a part of pop culture. You have to be able to laugh at yourself and realize that parodies and things are really an honor."

Luke on working with Ringo Starr's All-Star Band:

"The Beatles spent eight years putting together music that would not only last for 55 years, but it's still going strong! There's never going to be another Beatles and I'm just so grateful that I got a little teeny piece of that experience by getting to work with three out of four of those guys. I've been working with Ringo's band for going on eight years now and I'm very honored to do that. When I first signed up in 2012 I thought I'd be doing one summer and here I am still. We've become really great friends and I just love this guy, regardless of the fact that he's Ringo (Starr). I mean, he is 100 times cooler than you think he is, but to have him as my friend is great. I'd love him even if his name was Joe Smith because he's just the kind of guy that makes you think, 'I want that guy to be my friend' (laughing), and I cherish that. I'd do anything for him and Ringo's band is like my vacation gig (laughing)."

Luke on Toto winding down, at least for the foreseeable future:

"Toto has been my job and I've spent my whole life cultivating this. Toto has had its best year in terms of live performance and live revenue. Musically, including ticket sales and reviews and all of that, things are fantastic. Sadly, some stuff going on behind the scenes has kind of crippled us so we have to step off and see what happens next at the end of this tour. We are at the end of our 40th-year cycle, it's now actually 43 years of togetherness (laughing) and so we do need to go away for a while there's no question about that. For how long is the thing because there is definitely some darkness behind the scenes.

There is litigation from hateful people that want to tear us apart for no particular reason other than finding personal joy in doing so. None of it makes sense to anyone who is actually in the band. It's kind of insidious and messed up but it is how it is. Sometimes you're forced to do things at the time that don't really make sense but then, in the end, they really do work out for the best. It's just time for me to get out there and do some other stuff.  Out of the dust and ethers, something happens. I don't know what that is right now but I do know that change is good. Music is in my DNA and I've spent my whole life making it so I know that I can play whatever I decide that I want to play."

Luke on what's next for him:

"I am doing book number two! The first one was successful, which is surprising to me (laughing), but okay. I can't put my life into just those first 300 pages, I have a billion stories so now I can get more into the session thing and more into the goings-on behind the scenes. It's going to take me a few years to do it, just like the last one did and I've got a documentary in play too. There will never be a Toto story per se because there's a person that'll stop that. Actually, there are a couple of people now that'll stop it from happening.

So I'll write a second book, write a solo record, I'm going back out with Ringo, I've got other tours to do and I want to stay home and just be a dad. I want to watch my little kids grow up a bit, I'm hardly out of work (laughing), I haven't been out of work since I started so I'm very fortunate, but there is a price to it all. So, for now, I'll just get to stay home a little bit more and that will be really, really cool for me. This is a great time to step back because it's the end of a cycle. We never thought we would get to forty years, are you kidding me? We're going out with a bang though! Every night there's nothing but good vibes on stage, the reviews are great, the revenue is good and the audiences are loving it. We have just decided to go out there and kick ass."

Steve Lukather & Joseph Williams


Luke on the future of Toto:

"There have been eight versions of Toto, eight from the beginning lineup right up to today. People come, people go and we reconfigure. I'm the only guy that has been there for every one of them. Will there be a 9.0 version? I don't know, not the way it is now. It breaks my heart and I can't predict the future, but I'll tell you that in Philadelphia, it's the last time that you'll see this incarnation of the band."

(Sidenote- a 9.0 version of Toto does indeed exist and has been successfully touring the world.)

Thursday, November 12, 2020

Currently Booming: Toto's Steve Lukather & Joseph Williams Will Both Release Solo Recordings on Feb. 26th- Toto Livestream Planned for Nov. 21

 


STEVE LUKATHER AND JOSEPH WILLIAMS
ANNOUNCE THE PLAYERS CLUB / MASCOT LABEL GROUP
WILL RELEASE SOLO ALBUMS SIMULTANEOUSLY 
ON FEBRUARY 26, 2021

Band-Mates and Long-Time Collaborators Both Perform On One Another’s Recordings

 
WILLIAMS PRESENTS “Never Saw You Coming” – LISTEN / VIEW HERE: https://youtu.be/FTJ5KHcnWiM
 
PRE-ORDER GOES LIVE TODAY HERE:
 
Los Angeles, CA – Steve Lukather aka “Luke” and Joseph Williams will release individual solo albums on February 26, 2021 via The Players Club / Mascot Label Group.  Both artists have made significant contributions to the other’s album. Earlier this year, the label presented “Run To Me” from Luke’s forthcoming release I Found The Sun Again, which can be screened here: https://youtu.be/mvbHYmh7VYY.  Today, the first reveal from Williams’ album titled Denizen Tenant has hit streaming platforms globally. To hear the song, and view the video produced by the artist himself for “Never Saw You Coming” click here: https://youtu.be/FTJ5KHcnWiM
 
Williams shares, “’Never Saw You Coming’ is my first opportunity in ages to show my true sound.  Although my album is an eclectic collection of songs, this one tells you what you need to know to get a real sense of the whole. You can see where I’m going vocally for sure. It all starts with ‘Never Saw You Coming,’ plus I thought it was time we had a cool sexy song about death! Enjoy…”
Steve Lukather’s solo album titled I Found The Sun Again was co-produced by Ken Freeman, who also both engineered and mixed the new collection of repertoire.  The players feature many dignitaries that have been in Luke’s life for decades. Amongst those are drummer Gregg Bissonette, keyboardist Jeff Babko, and bassists Jorgen Carlsson and John Pierce. Life-long friend and Toto band-mate David Paich performs piano and organ across the album, while Joseph Williams sang on multiple tracks alongside writing string and horn arrangements and tracking keys on the aforementioned “Run To Me.”  Both Paich and Williams co-wrote that specific composition, while friend and band leader of the All-Starrs, Ringo Starr makes a special appearance on the recording and in the video.  Other co-writers include Stan Lynch, Jeff Babko, and of course Joseph Williams.
 
Luke shares, “Never had so much fun recording in my life. Painless, fun and easy - and it just flowed.” The repertoire features five new original compositions, and three covers personally selected by Luke. Those are Traffic’s “Low Spark of High Heeled Boys,” Joe Walsh’s “Welcome To The Club,” and Robin Trower’s “Bridge of Sighs.”  Lukather offers in the liner notes, “ALL these tracks were cut LIVE - no clix - no fix - No rehearsal - one run thru - and record and the whole record was take 2. I did double a few guitar parts and ‘produced up’ a few tunes that are obvious but in the same time frame. I recorded the lead vocal right after we got the take same day. One song a day. Joe took it home and did some BG vocals but that’s it. I wanted to make as honest a record as I could in 2020 with 1970's inspiration, and recording values, and techniques with a modern sound. Ken did that!” A portion of the proceeds from this album will be directed to The Ed Asner Family Center for Autism. For more information please visit https://www.edasnerfamilycenter.org/.
 
Joseph Williams’ Denizen Tenant was self-produced outside of the compositions “Black Dahlia” and “No Lessons” which were arranged and produced by Jay Gruska and mixed by Dave Way. The musicians and singers who made contributions in the studio reads like a who’s who of players that have been in the artist’s life over the past four decades. Amongst these contributors are band-mates from Toto David Paich and Steve Lukather. Simon Phillips, Leland Sklar, Lenny Castro, Nathan East, all of whom enjoyed tenures in Toto are also featured players on the album. Additional contributions include performances by Oscar Bugarin, Jay Gruska, Mike Landau, Barbara Gruska, Steve Overton, Dylan Ronan, Hannah Ruick, Steve Tavaloni, Weston Wilson, Ray Williams, and Mark T. Williams.  The album was produced and mixed at Digbyroad Studios, Sherman Oaks, CA. 
 
Denizen Tenant features a dozen new recordings. Amongst these are a cover of The Beatles “If I Fell,” which Williams cites as the one specific song that taught him about the power of harmonies and vocal arrangements. On Peter Gabriel’s “Don’t Give Up,” a very special guest performance is featured in his daughter Hannah laying down a vocal track. Across the recorded repertoire, there is a consistent presence of performances by guitarists Steve Lukather and Mike Landau alongside percussionist Lenny Castro.  Williams reflects, “Mike Landau has been playing on my music since I was a teenager and he just knows what to do. His parts always inspire me. They help move me to the next step in the writing process. Steve Lukather is like this as well.” In reference to Lenny, he offers, “He knows exactly what is needed and he will give me so many choices. I always get what I want. Like Mike Landau I’ve been working with Lenny since I was a kid.” The record is a part of the continual, on-going collaboration of the triumvirate of Lukather/Paich/Williams. Williams co-wrote “Liberty Man” with Paich, while the keyboardist performed Hammond B3 on “Black Dahlia,” and shares, “I love writing with Dave. On this tune, like many others, we spent hours talking about history, religion, music, literature, movies etc. Always leading us like excited kids to a subject or concept for the song. Then we start throwing out phrases, collecting and discarding ideas. Shaping and reshaping melodies along the way.”  There are so many contributors with deep connections and history with the artist, all of whom have a significant footprint on Denizen Tenant.  For a complete overview, click here: https://joeswill.com/liner-notes/.
 
The recordings will be available individually on both CD and LP, alongside on all streaming services globally. A limited-edition deluxe edition is available with the two titles bundled together. The pre-order is now live and available here: https://smarturl.it/Steve-Lukather and https://smarturl.it/JosephWilliams. Luke and Williams hope these albums present an enjoyable experience when listened to on shuffle.
 
Toto will stage a global livestream event on November 21. For detail visit www.totoofficial.com or link.dice.fm/toto.

Monday, October 19, 2020

Currently Booming: Toto is Back with a New Line-Up, Livestream and World Tour

 


STEVE LUKATHER AND JOSEPH  WILLIAMS ANNOUNCE 
NEW TOTO LINE-UP AND PLANS TO BRING THE 
DOGZ OF OZ TOUR WORLDWIDE
 
BAND PLANS GLOBAL REVEAL WITH ONE NIGHT ONLY LIVE STREAM EVENT
TO BE STAGED NOVEMBER 21
 
ON-SALE LIVE ON TUESDAY: link.dice.fm/toto
Direct Links For Each Territory:
 
Los Angeles, CA --- Steve Lukather a.k.a. Luke and Joseph Williams are life-long friends since they were kids, and bandmates sharing a deep colorful history that has thrived professionally on a global basis over the past decades. Today, the duo has announced the formation of a new band, with world class players. They will continue to tour as Toto, and are in motion to bring their Dogz of Oz tour worldwide as the pair looks forwards. Planned concerts across North America, Europe, Asia, Australia / New Zealand and other geographical destinations will be staged where the ensemble will perform all the hits, deep cuts, and solo music from Lukather and Williams individual catalogs.
 
Joining Lukather and Williams for this next chapter in their indelible history are bassist John Pierce (Huey Lewis and The News), drummer Robert “Sput” Searight (Ghost-Note / Snarky Puppy), and keyboardist / background vocalist Steve Maggiora (Elvis, Moms Mabely).  Keyboardist Dominique “Xavier” Taplin (Prince, Ghost-Note) and multi-instrumentalist / vocalist Warren Ham (Ringo Starr) have segued over continuing their tenure in the ensemble alongside Lukather and Williams. This marks the fifteenth incarnation of the Toto line-up in consideration of band members or sidemen who joined or exited.
 
Luke shares, “We could not be more at peace with this move. There is a refreshing, optimistic enthusiasm to step in to the future. At this moment, Joe and I are the only long-tenured members of the band that want to be on the road continuing to bring music to our multi-generational fan base. I’ve spent almost four and a half decades of my life as the only original member who never missed a show or an album nurturing this legacy while enabling the music to continually exist in the live concert setting. That is something I’ll never stop doing, and the Dogz of Oz global tour offers a rare opportunity to reimagine our personal futures while simultaneously preserving the deep connection that exists with the audience while likewise yielding continual discovery. The hope is to move forward with the planned itinerary for Summer, 2021 that will bring us back to our fans across The World.”  Williams offers, “Luke and I have been through a lot with one another. He’s like a brother to me. Our creative partnership has always enriched our lives. As we look towards what’s to come in unison, there is nothing but anticipation to bring everything in our minds to life. I can’t think of anyone else on Earth I’d rather launch the next chapter with this lifelong, loyal and gifted friend and band mate. We’re the last men standing…The Dogz of Oz!” Luke adds, “Joe and I have been friends since I was 17, and Joe was 14. During the course of this pandemic we’ve been reevaluating our career and how to move forward. People are either not with us anymore or have retired. We still feel like kids who want to be back on the road as soon as possible. It’s where we live. Joe’s growth as a producer, songwriter, engineer, singer and performer is inspiring.  The timing of this move is perfect as Joe is at the top of his game, and he amazes me every day. We are enjoying this collaboration, and could not be more enthusiastic about the future.”
 
On Saturday, November 21 the new line-up will make their global debut.  The band has planned a one-night only concert event that will broadcast prime time in three geographical regions to super-serve the fans: Asia, Australia / New Zealand; Europe; North America. For more information, tickets, and available bundles click here.

Thursday, October 15, 2020

Toto Leaves Everything That They've Got on Stage at The Met in Philadelphia for Final Performance for Foreseeable Future





I can't remember a moment in my life when music wasn't somehow playing in the backdrop binding together those things that would become real memories while helping the less important things to just sort of drift away into oblivion. When I was a kid, if my dad wasn't at the studio, then he was most definitely locked away in his home studio. He first sucked me in the door to that room with disco and a lot of my homework was eventually done on the floor next to one of his huge speakers. The deal was that once my homework was finished then I could pick any song and listen to it in his chair, with his headphones on. That was a huge thing to me and dad was smart because as my musical taste expanded, so did my time in his favorite chair. What started as one song while looking at cover art turned into dad leaving me with entire albums and loads of liner notes to dissect.

In the late '70s rock was just rock and there was no need to categorize it or throw it into some sort of sub-category. Good music was just that, good music. Toto's eponymous debut, followed by Hydra a year later, were two of my favorites and I spent a lot of time with headphones on soaking up every note played. I didn't know exactly what "shredding" was, but I believed my dad when he said that Steve Lukather was already one of the best and I also believed him when he said that David Paich was writing songs that were going to "stick". 

Flash ahead 43 years and my dad was right because Lukather is now the guy that other equally legendary musicians consider as a personal mentor and Paich, well that silly little song about "Africa" has made him a mountain of cash (plus I dare you to find anyone over the age of twenty that doesn't know the chorus). Four decades have brought the band an abundance of riches, like a handful of Grammys, more than 40 million records sold, plus induction into the Musicians Hall of Fame and Museum in 2009. 

Those same years have contained painful losses, debilitating illnesses, litigation, and the kind of personal demons that touch each and every one of us eventually, in one way or another. Sometimes the family that you choose becomes almost more important than the one that you were born into and the brotherhood of Lukather, Paich, Steve Porcaro, and Joseph Williams might be even more precious today than it ever was before.

Toto decided to commemorate their 40th anniversary by embarking on a 40 Trips Around The Sun tour, a celebration that has actually lasted for nearly two and a half years. The band brought down the house last night at The Met in Philadelphia as they closed the door not only on this tour but also on this incarnation of Toto. The band is now on hiatus for a well-deserved break and any future plans will be decided much further down the road.

The near-capacity crowd at The Met seemed well aware of the fact that it was the beginning of the end for this era of Toto and there were some bittersweet moments that spilled off the stage into the audience, but for the most part, this show was a celebration. The band took the audience on a two-hour ride through their catalog of 14 studio albums, serving up some of the anticipated favorites and just enough deep cuts to make true fans grateful to be in the house.

Opening with "Devil's Tower" and "Hold the Line" delivered a one-two musical punch, the kind that lets you know that it's going to be a fantastic show. The first electric set seemed to fly by as it included an extra sentimental variation of "I Will Remember" and "English Eyes". The instrumental "Jake to the Bone" is a personal favorite of mine because it really shows off the musicianship that is the backbone of everything that Toto does. Lukather is just fantastic and keyboardist Steve Porcaro seems to have a bit of a mad musical scientist thing going on as well. 

The quintessential favorite, "Rosanna" closed out the first set and anyone that had still been in their seat abandoned it. As the audience recovered from the adrenaline blast of that song, chairs were placed on stage, and Lukather, Porcaro, Williams, Warren Ham (multi-instrumentalist/vocalist), and bassist Shem von Schroeck all settled in for an acoustic set. "Georgy Porgy", the first song that Lukather ever sang for Toto, kicked off a sentimental musical journey that included "I'll Be Over You" and "No Love". I love stripped-down sets and this one really showed off just how much value each member has on their own. It's no wonder that the fully plugged-in band sounds like layers of perfection.

Let's talk for a minute about 27-year-old keyboardist Dominique "Xavier" Taplin. He stepped in last year for an ailing David Paich and learned the entire show in just a couple of days. Lukather mentioned the band all wanting to adopt him and after a lengthy chat with him last year, I kind of felt the same way. He is talented enough to have toured years ago with Prince (let that sink in),  and his piano solo in this show was absolutely beautiful. 

One of the best parts of seeing Toto play live is the way that they really capture that whole jam band kind of energy. Nearly every note may be carefully placed but it never really feels that way. Instead, it feels like a group of guys that really listen to each other and play off of each other in response and nowhere was that vibe more apparent than in the final set. 

The often lost in their catalog "Girl Goodbye" sent the band soaring with some of Lukather's best playing of the night matching Williams' effortless vocals. The latter was a ball of energy throughout the entire show, laying down some of the best vocals that I've ever heard him do live. "Dune (Desert Theme)" is another of those layered instrumental pieces that is best appreciated live and "While My Guitar Gently Weeps", a sentimental favorite of Lukather, was one of the best songs of the evening. If you think that an electric guitar solo can't take you on an emotional roller coaster ride then you need to spend a few minutes with this version of the George Harrison classic. 

On an evening filled with "moments," Toto was going to have to go a long way to top themselves, yet they did just that with their 12-minute version of "Africa".  David Paich (sidelined for health reasons since last year) was not only in the house, but he took his seat at the keys and sang those lyrics that he wrote so many years ago. The audience knew just how important this moment was and responded with both respect and gratitude. 

Lukather shredded, Williams played with the crowd and percussionist Lenny Castro's solo smack in the middle of the classic song was nothing short of genius. As someone pointed out to me, you could hear the sleigh bells that are actually in the song, usually lost beneath everything else. An encore of "Home of the Brave" closed out the night with the entire band leaving absolutely everything that they had left to give on the stage of The Met. 

Their break is more than deserved. 

 


 







Setlist

Devil's Tower
Hold the Line
Lovers in the Night
Alone
I Will Remember
English Eyes
Jake to the Bone
Rosanna

Acoustic:
Georgy Porgy
Human Nature
I'll Be Over You
No Love
Stop Loving You
Piano Solo

Girl Goodbye
Lion
Dune (Desert Theme)
While My Guitar Gently Weeps
Make Believe
Africa

Encore:
Home of the Brave