Latin freestyle seems to go hand in hand with Friday, at least in my mind. If Friday is really the day to celebrate the weekend ahead then that means club songs, freestyle and old school house music are the very best way to kick it all off. Let me take you back to 1988 when Betty Dee and her girls stepped out from the shadow of Expose` and The Cover Girls and made their own mark in the dance world.
Sweet Sensation had the hair, the clothes, and all the moves. But they seemed like the chicks down the street. This was the girl group that you really could have gone to school with or partied with. And their music rivaled other dance floor anthems. Songs like "Take It While It's Hot" and "Hooked On You" were featured on Open House Party and Dance Party USA, making the ladies a pretty hot commodity leading up to their number one single, "If Wishes Came True".
Betty Dee, Jenae Colon, and Belle Ritter reunited a few years ago and on any given weekend you're likely to find Sweet Sensation hitting the stage somewhere on the east coast. "Sincerely Yours" remains one of their most popular hits. Check out the video below.
"It was only late last night he was out there sneakin'
Then he called you up to check that you were waiting by the phone
All the world's a candy store
He's been trick or treatin'
When it comes to true love girl with him there's no one home
He's a coldhearted snake look into his eyes
Oh, oh he's been telling lies he's a lover boy at play."
Who didn't love Paula Abdul back in 1988? The media had her pegged as a sweet, girl next door type that just so happened to dance her ass off. She was a former Laker girl that had already choreographed for Janet Jackson when her own solo album dropped. Forever Your Girl was a bonafide hit. By the time the third single, "Cold Hearted" was out, Abdul decided that it was time to sex up her image a bit.
She mixed Bob Fosse inspired choreography with moody lighting a barely-there costumes and the result, well it was magic."Cold Hearted" is one of those videos that trained dancers consider memorable. I appreciate how timeless it is. If you were to watch it for the very first time today you would never know that it's 30 years old. Abdul and her crew create frozen moments that are memorable even after a few decades.
I also like to kick the weekend off with something fun and this sure fits the bill. Check it out below.
Saw you looking so nice, Hot stuff, pants on fire, Please me, I want you now,
I'm born to flirt, You're born to run, Let's get together, And get it on.
Come home with me baby, Ooh, ya must be lucky, No I don't do this for anyone, Come home with me baby, Ooh! ya must be lucky, I was looking for somebody, And you got the body I want"
When we first were introduced to Pete Burns, the lead singer for Dead Or Alive, right out of the gate it was pretty clear that he was not the typical artist. His mild gender-bending was on full display in early songs like "Brand New Lover" but by the time the group released their fourth studio album, Nude, in 1989 he had clearly quit caring what people thought. Burns was doing music his way and while mainstream radio was kind of afraid of it, Dead Or Alive was burning up the dancefloors.
"Come Home With Me Baby" maybe would have been a huge hit if sung by someone else, if the lyrics were toned down just a bit. Burns was fearless in demanding a one-night-stand and the Latin freestyle vibe made this such a huge club hit. At a time when any hint of an alternative lifestyle was not only hidden but still considered taboo in middle America, Dead Or Alive did their thing anyway. And it was fabulous. Check out "Come Home With Me Baby" below, my all-time fav by Dead Or Alive.
So, there was this one Saturday WAY back in 1989 that I can remember like it was yesterday because I had perfect timing (a rarity). I had arrived for a taping of Dance Party USA and the energy was crazy because one of the guests for that days' taping was Sweet Sensation. I loved them. I mean, we ALL loved them. If you were even slightly a freestyle fan than the opening to "Take It While It's Hot" probably made your heart race. Betty Dee put on one hell of a show even then. Sure she was all sparkles, leather, ripped jeans, and big hair but even more so, she was a performer.
When DailyBOOM first launched in the summer of 2015, I had a bucket list of people that I wanted to interview and Betty was on it. At the time Sweet Sensation was on hiatus but as luck would have it, they returned to the stage by summers' end. In the last few years, the ladies have crisscrossed the country, performing for freestyle fans that still know all of the lyrics to their string of hits.
I finally had a chance to chat with Betty this week and the only thing bigger than her laugh is her heart. I wish that everyone could experience a bit of time with her because Betty is one of those rarities that leaves people better than she first finds them. Well, unless she's really mad then you better start running! Seriously though, Betty is equal parts crazy, outgoing Latina and introverted cat lady. She is also ALL parts love, joy, positivity, and acceptance. The woman you see on stage is exactly who she really is, and that's a gift to all of us.
Cate Meighan: Can you believe that Sweet Sensation has been around for more than thirty years? Betty Dee: Sweet Sensation has obviously had personnel changes over the years. Since 1991 it has been me, Jenae Colon, and Belle Ritter. I've jumped in and out of the group a few times. The last time that we faded into the music background my dad was really sick and I was dealing with a bunch of other personal things. So I decided to step away from the spotlight and just live my life. In August of 2015, we got back together. I received a call from K7 of TKA, my work husband (laughing) asking me to come back. He said that we needed to return to the stage and start doing shows again. I couldn't believe there was interest but he has been my best friend for thirty years, and so I listened to him. I called the girls and just like that, we got back together. The first thing we did was meet for rehearsals and I can remember thinking, oh my god, I'm going to have to go and by lashes again (laughing)! CM: How do the logistics work now that you're all older and juggling other responsibilities? Betty Dee: We all live in different parts of the country. I work a crazy, very demanding, but fulfilling day job during the week, and then on weekends, I get to perform. My week is busy. I'm a mom to my kitties and my dog and I do the things that I need to do at home. Then on the weekend, I get to put on lashes, make my hair shiny (laughing), and then hop on stage and perform with my friends. I mix the two lifestyles and they're easy for me to balance because I'm a good multitasker. I need to be busy and performing is something that I really love to do. If we are in NY for a show then we travel into the city and gather at one location for a quick rehearsal. We'll get ready there, do the show and on Sunday we'll go our separate ways again until the next weekend. If we go out of town and have to really travel then it becomes more work but I love it and I wouldn't have it any other way.
CM.: How was it coming back this time around? Betty Dee: Coming back this time has been so different. We're older and we appreciate things more. I feel better now at 50 than I did at 30 (laughing). I'm more energized and I want to keep giving the fans more. I mean, there's a mortality thing of- okay how much longer can we really keep doing this? If I'm going to do it now then I'm going to give 1000% and I've got to give it my absolute all. I think other freestyle artists think the same way. CM: Freestyle fans are like no other. No matter where the venue is, it really is like a family at the shows. Betty Dee: The fans are the fuel. They're the gasoline that lights the fire for us. If we went out there and didn't have the support it would be totally different because that's what drives us. I speak for my work husband, my work wives, and all of the people that we do shows with. We see each other so often that we really are a family and we really do get together and talk about how amazing it is that we can still do this thing that we love so much. It's valuable to me and not just as an artist. I listen to them perform and it takes me back- like thirty years!
I remember what I was doing when Noel's "Silent Morning" came on KTU in NYC! We sang about love and dancing and heartbreak. I can't find a freestyle song that's not about one of those things (laughing). It's all about love and tears and that music created a bond 30 years ago and it's still there now. We all share that same bond now and I'm humbled by it. Understanding the genre and growing up with the people that listened to it, I totally get it. We hold on to this music and the time in our lives that it takes us back to until it's ingrained in our DNA. It's literally who we are.
CM: You look like you're in the best shape of your life right now and I've gotta ask, what's your secret? Betty Dee: I had spent years depriving myself of calories and running around like crazy until my metabolism slowed down. It was in starvation mode and so I was gaining weight instead of losing it. I was trying to stay in shape and I wasn't eating fatty foods and it just wasn't working so I decided to experiment and cut out leafy greens. I would eat more meat and some cheese instead. I also started to work out differently. Instead of being on the elliptical for like, ten hours a day, I started lifting weights and dancing. I was doing that and eating full meals throughout the day because the food was giving me fuel.
Once I started switching things around and feeding my body, it did me the service of getting really lean. So no more measuring and weighing food for nothing. Now I eat everything in moderation, including the healthy stuff. I have more energy and I don't feel sick every day. Here's the thing, you have to figure out what works best for you because there's not one set cure-all program CM: You're one of the happiest people that I think I've ever met. Where does the joy come from?
Betty Dee: We're on borrowed time and we all end up in the same place so don't take life too seriously. Do the things that make you happy and do them 1000%. Life is short and at some point, we lose each other so make the most of it. Be happy and make others happy too. That's where I'm at in my life and if that means going out on stage wearing sparkles and singing songs, then it's what I'm going to do.
Do you remember Club Nouveau? Sure you do if you were raised in the '80s because back in 1987 their remake of "Lean On Me" shot to number one on Billboard's Hot 100 chart, making it one of those songs that stayed stuck in your head. Club Nouveau followed that hit with a song called "Why You Treat Me So Bad" which did really well on the dance charts. The beat resembles Timex Social Club's "Rumours" and for good reason, Jay King formed Nouveau' after leaving Timex Social Club and fully embracing a new jack swing sound.
Lyrically, this song kind of speaks to all of us. Who hasn't realized that they were dating the worst possible person and probably for way too long? "Why You Treat Me So Bad" is a breakup anthem, 1980's style. Check out the video below, do you remember this one?
We are flashing back to some of the best of the best content here at DailyBOOM.
(ICYMI the first time...)
Some songs just stay with you. No matter how many years have passed since the first time that you remember hearing it on the radio, four seconds in and you recognize it as YOUR jam. Sure, it might be one of a handful of songs that you classify that way, but it's still YOUR jam. Pretty Poison's "Catch Me I'm Falling" has always registered as one of mine. It was just the right song at the right time for me, one that to this day leaves me dancing. It has worked that same kind of magic on a lot of people. I say that because, in between heating up dance floors worldwide, "Catch Me" has also found its' way onto the soundtrack of at least a dozen movies, as well as television shows like Breaking Bad.
I recently had an opportunity to catch up with Jade Starling, who has had a roller coaster ride of a year. She has helped to love and rally her bandmate through cancer, hit the stage on numerous occasions, and has found an enormous amount of personal healing in the #metoo movement. Every step of the way Jade has remained grateful, gracious, and infectiously positive. Keep reading and you'll find her just as endearing as I have!
Cate Meighan: It has been a while, so fill me in on what you've been up to. Jade Starling: As I reflect on the last year or so, it really has been a very busy and productive time. We've done a lot of tour dates this last year. We were out on the Lost 80's Live Tour and we shared the bill with some incredibly famous groups that I've idolized forever. Missing Persons, Berlin, Wang Chung, Naked Eyes, Spandau Ballet- just all of the really great music that I grew up with. Here I was, on tour with them and it was just such a great experience.
2017 started off with a challenge though because my longtime partner in the group, Whey Cooler was diagnosed with Stage 4 throat cancer and he had to go through chemo and radiation treatments for about three months. I always knew that he was one of the strongest people, if not the strongest person that I've ever known in my life. What he went through was just the worst, but being a strong person and one that is blessed with unconditional love, he managed to find the strength to get through this. The support of his friends, family and fans was amazing. Everyone really rallied around him and lifted him up. I would say by May his treatments were over and we started going out on tour again. Honestly, he was just coming off of treatment and probably shouldn't have been on the road, but he wanted to go and I think in the end it was the best thing. He needed to get out there again. He was never someone that didn't do anything, so he was in the studio every day right up until those last weeks of treatment. He worked like he wasn't sick and I admire that so much. We had been working together for thirty years and so getting back out onto the road just made sense. As of today, he is almost back to normal and has been in remission for three months.
(Photo: Jade Starling Official Facebook)
Also our classic song “Catch Me I'm Falling” was featured in the movie "The Big Sick" (available on pay per view) this year. Having our song in the movie brought a lot of recognition and we've been sorting through more offers for tour dates and things like that so that song really is a gift that keeps on giving (laughing). Who knew that Catch Me would be such a blessing?
CM: "Catch Me "I'm Falling" was such a huge song and I think it's one that is instantly identifiable even 30 years later. Do you ever feel boxed in by the success of it?
JS: I don't feel boxed in by it but it's like the pinnacle of everything. People will always compare everything we do to our biggest, worldwide hit, I never like to dwell on the past. I'm grateful that the song keeps reinventing itself. It has been used in a dozen movies and it has been on tv shows like Breaking Bad. I'm not mad at that at all (laughing) because it's fantastic. But we are still working on new music and we've had amazing success at the dance or club level for the last decade or so. We've had over a dozen or so songs chart on Billboard's dance chart and six number ones on there. Also in the last few years, I released my first solo album called Captive and it spawned three Billboard dance hits. I think we're still relevant, especially in the dance community. I think our style is pretty diverse. We're actually award-winning songwriters. We've written songs for other people and have worked with other artists like Joss Stone.
Also, we're revered in the freestyle world. I don't know how that actually happened but I'm really glad that it did. I don't think that we're a freestyle act but we seem to be lumped in with that type of music and I don't mind that, it's another thing I'm not mad at (laughing). We get invited to do big arena freestyle shows and there are the same dozen artists or so that do these, so I'm happy to be part of that family.
(Photo: Jade Starling Official Facebook)
CM: The freestyle world really is like a family, isn't it?
JS: It's funny how the more things change the more things stay the same. All of the acts and groups on tour just do seem like more of a family. It's like a relationship with the family members that you only get to see a few times a year. It feels right and natural. There's nothing strange about how comfortable it all is. I prefer working with people that I like to be around. I like positive, upbeat people. I don't like drama and I really like to build people up, especially other women. I'm very supportive of other female acts in the industry. I feel that you get what you give in the music industry so I always try to put out the positive and hopefully that's what I'm getting back. I'm all about love (laughing). Think about the love of the fans when they're singing our songs! It's very touching and it warms my heart so I try to stay in touch with our fans. I do answer as many messages from them as I can. It's important to them and it's important to me to keep that relationship going. It's amazing what social media has done and can you imagine if we had it back in the day, how big things could have been? It just seems like the more that I'm out there on social media promoting myself and responding to even basic things, it really does so much. I can make someones' day, or they can even make mine. It just means so much. It's not that hard to be kind and what comes around goes around.
CM: Freestyle music really took off in Miami right?
JS: Yes. Pretty Poisonwas originally based out of Philly but we were doing the majority of our shows in the tri-state area. That's really where it started for us and then it spread out to Florida, especially Miami because that was a big dance hub for sure. It took a long time but I think dance music has finally come to the forefront. It's commercially viable especially with XM Radio and things like that you can just channel in on exactly the music you like and individualize each genre.
CM: You have been involved in the music industry for so long, how have the negative aspects of the business affected you?
JS: Well, during the 90's after our Virgin records deal ended we signed with a small label. The president of this record company was always groping me and touching me. He felt like he could have his hands on me. I ended up suing for sexual harassment and I won because we settled. The recent news coming every day with these people in power, you know you see what they want you to see. They look like these great people that are respectful and would never do anything wrong and yet, so many people have gone through the same thing that I have.
I've had a gag order to keep me from talking about it and for so many years I've suppressed those feelings. Now, with all of these other women coming forward because of #metoo, it's almost like the burden has been lifted off of my shoulders as well. It makes me feel vindicated and it has taken me a long time to be able to say that. I feel like I wasn't alone now and for so long I couldn't talk about it and I felt like I was having a breakdown. It was so embarrassing and I felt belittled and trapped. This person would threaten to take away a budget because I wasn't doing what he wanted me to do. It wasn't in private. He was touching me and making me feel uncomfortable in public and in front of other people.
CM: I think a lot of people think that this is a new issue rather than one that has been swept under the proverbial rug for so long. But it has always existed.
JS: I'm just happy to see so many people and women coming forward to tell the stories about their abuse by these creepy guys. It just messes with your head and it messes you up. I don't care if they're multi-millionaires, they are still despicable. That behavior is disgusting and should never be condoned. It's never okay, in any situation.
CM: What else have you been up to, besides the music?
JS: I work out a lot. I go to the gym because it's good for my head, my body, and my soul. I have to work out, gotta keep it looking good (laughing). I really do enjoy weightlifting, kickboxing, yoga things like that. I've also been working with people on developing skincare products. It's something that I'm really into. Natural things, natural ways to keep your skin looking young. That's something that I'm really working on and it's in the developing stages no so hopefully in the next year or two it'll come to fruition.
It's really important to get into good skincare habits when you're young otherwise you wake up one day, look in the mirror and say,' what have I done or what haven't I done?'. I'm happy to say that I've never done any kind of plastic surgery or injectables. I just don't believe in it unless things are totally falling apart (laughing) and I feel like there's no choice. I think sometimes people get carried away with it. If someone says that another person had work then I think they've gone too far with it. You don't want to look like you've had work, you want to look like yourself and that you haven't aged. I find that with some topical skincare products you really are getting lots of anti-aging and nourishment which is great. It also comes from the inside out. You have to feel joy and happiness in your heart because when you do it shows on your face. Smiling is like an instant facelift.
I just like to spread positivity. When you're with someone that's negative it just brings you down, it's contagious. Misery loves company. There are so many things that we're blessed with and it's not that there aren't hardships, everyone goes through them. But honestly, I praise God every day. I have strong beliefs and I just always tell people to pray. Use prayer, it helps. My best friend got through cancer and I truly believe it had a lot to do with positivity and prayer. When you think that you've hit that rock bottom and that all is lost, it really isn't. There is still that little spark of hope, so hang onto it.
CM: This really has been both a challenging and rewarding year for you. What comes next?
JS: We're very blessed and lucky. We have been working in the studio on new music and we're going to be releasing a new album in 2018. We're really excited about that. There have been opportunities for us outside of the group but we're still working very hard in the studio. I can't say when exactly but there will be a new single released in the first quarter of 2018 with a new album to follow. There will also be some new remixes of "Catch Me I'm Falling" thanks to some big-name producers and remixers we're working with.
CM: What would you like to say to the fans that have followed you and have really lifted you up this year?
JS: Oh great big special thanks to all of the fans for their undying continued love and support.They are the reason that we're still here doing what we love to do so much.
We are flashing back to some of the best of the best content here at DailyBOOM. ICYMI Some songs just stay with you no matter how many years have passed since the first time that you remember hearing them on the radio, four seconds in and you recognize it as your jam. Sure, there might be a handful of songs that you can classify that way, but when one of them starts to play it's still always YOUR jam. Soave’s “Crying Over You" has always registered as one of mine. It was just the right song at the right time for me, one that to this day leaves me dancing. It has worked that same kind of magic on a lot of people and I challenge anyone that is under the impression that freestyle music died off twenty-plus years ago, to reconsider. I say that because on any given weekend, in various locations across the U.S. you’ll find thousands of freestyle fans packing venues to embrace not only the music but also the bit of nostalgia that those dance floor classics conjure up.
I’ve had an opportunity to get to know Jeffrey “Soave” Martinez a bit and I now really understand that in order to consistently perform nearly every week for the last three decades (as he has), it takes passion, devotion to the music and a deep gratitude for all that freestyle has brought to his life. The fans play a huge part in his ability to keep performing because without demand there is no supply, but it’s his gut-level devotion to music that has Soave now working on the biggest passion project of his life. The need to grow has led him back into the studio to create brand new music, completely on his own terms.
In a recent interview, Soave revisited his earliest days in the music industry and brought me up to speed on all that he has in the works for this year. Check it out below.
(Soave Martinez- Official Facebook)
Soave Martinez on his first brush with the freestyle music world:
"My girlfriend and I had just broken up and I found out that she was going to be at the Puerto Rican Day Parade, so I figured my friend and I could go and we would run into her. I had never been to this parade before, so I had no idea just how massive it was. I was thinking it would be just a couple of blocks and I'd run into her when really it was hundreds of thousands of people (laughing). So we went and it didn't take me long to figure out that I was never going to run into her so we decided to just enjoy the moment. As we were walking my buddy was taking flyers from everyone that was handing them out. He had a stack of flyers in his hands and I looked at the last one that was handed to him and it was little pictures of about 25 different acts all in a big square. It was for a Puerto Rican Day Parade after-party at Club Broadway 96.
I was a fan of freestyle first before I ever even considered performing it. I really liked established acts like Noel, TKA and Trilogy. They weren't on the flyer, but my father was the head of security at Club Broadway 96, so I knew that even though we were underage we would be able to get in because he would hook us up. We headed down to the club, had dinner and then we ended up backstage so I got to meet all of the artists as they were coming through. Since I was broken up with my girlfriend, I took autographed photos from each of the acts and I decided that I was going to mail them all to her on Monday, hoping that would get her back (laughing).
I was there for hours either backstage or watching everyone from the side of the stage and by the fourth or fifth act I was thinking, 'I could do that, I could be out there'. In my college days, I wanted to go to school for both acting and singing, so I figured whichever one I got an opportunity to do first, that would be the one that I focused on. As luck would have it, I got the opportunity to sing because I was at that show that night."
(Soave Martinez- Official Facebook)
Soave on how that one night turned into a golden opportunity:
"Well, on Monday I did take my pile of autographs to the post office (laughing) and as the lady at the counter was wrapping it up with love, I realized I had to get something from out of the pile. The person I had spent the most time with was Johnny O and I needed to get his manager's phone number from inside that envelope. The guys' name was George Vasconez, he owned Sparkle Management and at the time, he was THE guy. So I got the number and called it a few times that day asking to speak with Johnny O. When I realized I was actually speaking with George I told him that I wanted to be a singer and he just started laughing his head off (laughing). He must have thought that I was a complete kook, but he explained that first I needed to be discovered. If I wasn't discovered then I needed a complete demo tape and I had no clue where to go to make one. All that I could think of was that booth in Macy's with the Karaoke that let you record and gave you a tape on your way out (laughing). George told me when he was going to be at the same club that I had met Johnny O at and he told me to introduce myself to him and that he would help me figure out the demo tape.
I was so excited! I went to that club in jeans and a jean jacket with no shirt under it, I don't know what the hell I was thinking (laughing), but it was kind of the style back then. So I introduced myself to him at the club looking like this and he looked me up and down and said, 'kid, I'm going to put you on stage and the girls are going to go crazy'. I couldn't believe it! He introduced me to Judy Torres and a few other people and then basically took me under his arm. Every Wednesday night I stayed at his house in the city, because that was the night of the week that all of the artists performed. He took me to different functions and shows so that I could watch and learn how all of the other artists did things. He took me to The Palladium and Studio 54, clubs like that and everywhere that we went he was known as the manager so those velvet ropes went up. It was like school for me and I lived for those Wednesdays. It was so exciting and I really couldn't believe that this was my life.
After seven or eight months of this, I really wanted to get started on my career. I was around all of these other artists but no one had ever heard me sing and I just wanted to sing. George told me he had gotten me an audition for a song on Micmac Records, which I thought was crazy because I still didn't have a demo tape. I asked him how I could audition without it and he reminded me of all the times I was in the car with him, singing. He thought I was talented and I had no idea that he was helping me to improve and just watching me grow for all of those months. I was really just a clueless kid (laughing)."
Soave on that one audition that changed his life:
"I was just dying for that audition to come and when it finally did, I was put right in the vocal booth and handed words to a poem written by someone's ex-girlfriend, called "Crying Over You". He wanted me to sing it in a very monotone style that resembled another song that was already on the radio. So, I did exactly what I was told and then after the third or fourth time I asked if I could sing it differently, the way that I would really want to sing it and he said yes. I made it my own and he said, 'all right, all right that's good, come out!', and I thought I blew it.
I'm thinking that I should have just kept my mouth shut rather than trying to be creative over here (laughing), and so I came out of the booth. I was expecting the worst and instead, he told me I got the song and he welcomed me to the team.
We recorded the song and back then it took forever for a song to come out. If you recorded in January it would take until October or November for them to release it because they had to master it and then do edits, which took forever. So, when it finally came out they first gave it to the record pools as kind of a test market. I remember KTU radio (in NYC) had a Hot or Not segment and my song was like 97% hot. Then it went to the test press to get a feel for how the song might do, which would help to set the release date. This song went from the test press right to the radio stations before the label had a feel for how the market was, and it went into regular rotation. I went from doing shows for free to making six or seven thousand dollars on a weekend, literally overnight. I didn't understand at the time how rare that really was. I thought it was a Micmac thing and that if your song came out on their label then you'd automatically be played on the radio. I quit my day job and two weeks later I had my first pay from singing, a check for seven thousand dollars and then a bag with another seven thousand in cash (laughing). I was scared because I had all this money and I remember trying to get home as fast as I could with it.
I pushed them to put out another song really fast and the label insisted we ride that wave created by "Crying Over You". I actually wrote the lyrics to the next song, "If You Want Me", on the back of a vomit bag while flying back from a show, on Eastern Airlines (laughing). It was before I had any kind of recording device so I kept writing the lyrics and singing them so that I would remember them. I recorded it and it took them forever to release it, but when they finally did it actually did much better than "Crying Over You", because people were waiting for a follow-up song."
(Soave Martinez- Official Facebook)
Soave on the importance of having full control over his new music:
"I started this project six years ago when I was making a lot more money and had the ability to spend more money on the studio. For a few years, it was harder coming up with the funds to cover all the costs that go with recording an album, but now I'm back in the studio every week again. It's nice to actually be in control and it's probably taking longer because I am in control. It's my money now that's invested so they can't tell me what to do. It has to be perfect. I've waited so long for this chance that it just has to be perfect. I'll do an entire song and then go back over it with a fine-tooth comb looking for one sentence or one little riff that I don't like, and then I'll fix it. I'm also one of those guys that's really annoying to producers (laughing) because I actually care about how it's going to sound. They understand me though and know that I work fast, but I'll always go back and fix stuff. To me, that's how you become a good artist."
Soave on his musical passion project:
"The name of the album is 'Silky Sheets and Smooth Covers' and the silky sheets are my original songs, while smooth covers are cover songs. Those are songs that I've always loved listening to or that are fun to perform. It's exciting because I just know that it's going to do well. I want to get it out by March because it's the 30th anniversary of "Crying Over You". It's so exciting and I feel like every song that I finish is better than the one that I did before.
It's not a freestyle record, but there is one freestyle song on there that I'm having a lot of fun with. I feel like I have to throw one freestyle song in to really get the attention of my original fanbase, almost as a thank you for sticking with me. It's a way of staying true to who I was as an artist back then while also proving that I'm vocally capable of so much more now. The reason why I like this particular song so much is that I wrote it in 1992 and it just stayed with me. I never recorded it or released it, I've just kept it with me for all of these years, thinking I'd save it for when freestyle comes back and gets real radio play. I always believed that if it were to come back then I'd need to be ready and this is my song for that.
People say that freestyle is back but I can tell you that it never really went away. I've been singing it regularly for over thirty years. Maybe we get more shows now than even ten years ago, but it never went away."
(Soave Martinez- Official Facebook)
Soave on not having any real regrets:
"I don't ever have regret really and here's why: If you have regret and would change something in your life, then you also couldn't have the good things that you have today. I've had different dancers and I've had different kinds of stage shows over the years, but I've never stopped performing, never. I've been very blessed. If I changed one thing then all of that would change too. I'm happy with the opportunities that I've already had and I'm happy that my life isn't over yet, so I can still make a difference in a lot of different ways."
Check out Soave's official site for updates on everything he's doing. Also, follow him on Facebook, Twitter, & Instagram for info on upcoming gigs, new music & tour dates.
