Freestyle Friday: Laissez Faire - 'In Paradise' (35th Anniversary Version)

 

Freestyle Friday Throwback: Shana - 'You Can't Get Away'

 

Happy Freestyle Friday! If you were anywhere near a dance floor in the late '80s, chances are Shana's "You Can't Get Away" found its way into your weekend soundtrack.

There's something about this song that instantly transports me back to the golden age of freestyle music. The beat kicks in, the synths start pulsing, and suddenly it's impossible not to remember the clubs, roller rinks, school dances, and cruising around with friends while the radio blasted our favorite songs.

Shana may not have become a household name like Exposé, Lisa Lisa, or Stevie B, but "You Can't Get Away" remains one of those hidden gems that freestyle fans never forgot. Released in 1988, the song perfectly captured everything that made the genre so addictive. It combined emotional lyrics about trying to escape a love that just won't let go with an irresistible dance beat. That's always been one of freestyle's greatest strengths—it could make you want to dance while simultaneously tugging at your heart.

I always loved how freestyle music embraced big emotions without ever taking itself too seriously. These songs were filled with longing, heartbreak, hope, and determination, all wrapped inside catchy hooks that stayed with you for days. "You Can't Get Away" is a perfect example of that formula working beautifully.

Even today, when I hear the opening notes, I'm immediately reminded of just how vibrant the freestyle scene was. While it may not have received the same mainstream recognition as pop or rock, it created an incredibly loyal fanbase that's still going strong decades later. Just look at the packed Freestyle Explosion concerts happening around the country. Fans continue to show up because these songs aren't just music, they're memories.

That's one of my favorite things about revisiting tracks like this every Freestyle Friday. They remind us of a time when music brought people together on crowded dance floors, when every weekend seemed to have its own soundtrack, and when all you needed was a great beat and a catchy chorus to make the night unforgettable.

So today I'm turning up Shana's "You Can't Get Away" and letting it take me right back to the late '80s. If you're a longtime freestyle fan, I bet you know every word. And if you've never heard it before, give it a listen, you just might discover your next favorite old-school classic.

What's your favorite underrated freestyle song? I'd love to hear which hidden gems still make your playlist.

Freestyle Friday Throwback: Exposé - 'Exposed To Love'

 

Happy Freestyle Friday!

If you grew up in the '80s like I did, chances are Exposé was a huge part of your soundtrack. This week, I'm throwing it back to one of my favorite tracks from the group's debut album, Exposure, "Exposed to Love."

Before the song climbed the charts in 1987, Exposé had already started making waves with hits like "Point of No Return" and "Come Go with Me." But there was something about "Exposed to Love" that perfectly captured everything that made the group special. The infectious beat, soaring harmonies, and that unmistakable Miami freestyle sound made it impossible not to turn the volume up.

What I always loved about Exposé was that they weren't just another girl group. Jeanette Jurado, Ann Curless, and Gioia Bruno brought powerful vocals and genuine personality to every song they recorded. Their music was danceable, emotional, and endlessly fun. Whether you were hearing them at a club, on the radio, or blasting from a friend's cassette deck, Exposé always delivered.

Their debut album, Exposure, was a massive success and became one of the defining freestyle albums of the decade. It spawned multiple Top 10 hits and helped bring freestyle music into the mainstream at a time when the genre was exploding in popularity. Even today, songs from that album instantly transport me back to cruising around town, hanging out with friends, and living for the weekend.

One of the best things about Exposé is that they never truly disappeared. While many acts from the freestyle era faded away, Exposé continues to perform and connect with fans who have loved their music for decades. If you've never seen them live, you're in luck. They still appear at Freestyle Explosion shows and other retro concert events across the country, bringing all those classic hits back to life for audiences who know every word.

And honestly? That's the magic of great music. Nearly 40 years later, songs like "Exposed to Love" still make people smile, dance, and remember exactly where they were when they first heard them.

So for this Freestyle Friday, crank up "Exposed to Love," sing along, and celebrate one of the greatest girl groups ever to come out of the freestyle era.

80s Throwback: Nayobe- 'Please Don't Go'

Friday has always felt exciting, right? It’s the beginning of the weekend. Back when we were kids, Friday meant freedom, cartoons, the mall, hanging out with friends, staying outside until the streetlights came on. Friday was the start of the party.

So to me, there’s nothing more perfect than Freestyle Friday here at DailyBOOM.

Back in the 1980s, Latin freestyle exploded out of New York City and spread through places like Miami and Philadelphia before catching fire across the country. But honestly, the East Coast will always feel like the true home of freestyle music.

One of the very first songs to really break through was Please Don't Go by Nayobe in 1984. It’s considered one of the songs that introduced Latin freestyle to a wider audience.

To me, Nayobe was the ultimate boardwalk artist. If you grew up on the East Coast and spent summers “down the shore” at the Jersey Shore, you know exactly what I mean. Music blasted from every little shop along the boardwalk, and in the summer of 1984, “Please Don’t Go” was everywhere. The beat, the energy, the feeling, it instantly made you want to dance.

So for this Freestyle Friday, we’re throwing it back to Nayobe. And if you don’t remember this one, turn it up loud, because you’re probably about to love it.

Daily Boom 80's Throwback: Sweet Sensation - 'Sincerely Yours'

"Dear I write you this letter

To show you how much your love means to me

I wish we could be together

I need you in my life oh can't you see

You promised we would be together

But you still haven't answered my letter

Oh, oh, I'm sincerely yours

The one my heart beats for, the one I adore

Oh, oh, I'm sincerely yours

The love that you gave I've never felt before."

Latin freestyle seems to go hand in hand with Friday, at least in my mind. If Friday is really the day to celebrate the weekend ahead then that means club songs, freestyle and old school house music are the very best way to kick it all off. Let me take you back to 1988 when Betty Dee and her girls stepped out from the shadow of Expose` and The Cover Girls and made their own mark in the dance world. 

Sweet Sensation had the hair, the clothes, and all the moves. But they seemed like the chicks down the street. This was the girl group that you really could have gone to school with or partied with. And their music rivaled other dance floor anthems. Songs like "Take It While It's Hot" and "Hooked On You" were featured on Open House Party and Dance Party USA, making the ladies a pretty hot commodity leading up to their number one single, "If Wishes Came True". 

Betty Dee, Jenae Colon, and Belle Ritter reunited a few years ago and on any given weekend you're likely to find Sweet Sensation hitting the stage somewhere on the east coast. "Sincerely Yours" remains one of their most popular hits. Check out the video below.

Currently Booming: NEW Corina- 'Don't Take Your Love'

Currently Booming: Freestyle Friday- Corina - Full Set (Watch)

Daily Boom Holiday Throwback: A Freestyle Christmas

Daily Boom Freestyle Friday: Pajama Party on Dance Party USA- 'Yo No Se'

Daily Boom Exclusive Interview: Betty Dee of Sweet Sensation

(Photo: Sweet Sensation's Official Facebook)

A DailyBOOM flashback ICYMI:

So, there was this one Saturday WAY back in 1989 that I can remember like it was yesterday because I had perfect timing (a rarity). I had arrived for a taping of Dance Party USA and the energy was crazy because one of the guests for that days' taping was Sweet Sensation. I loved them. I mean, we ALL loved them. If you were even slightly a freestyle fan than the opening to "Take It While It's Hot" probably made your heart race. Betty Dee put on one hell of a show even then. Sure she was all sparkles, leather, ripped jeans, and big hair but even more so, she was a performer.

When DailyBOOM first launched in the summer of 2015, I had a bucket list of people that I wanted to interview and Betty was on it. At the time Sweet Sensation was on hiatus but as luck would have it, they returned to the stage by summers' end. In the last few years, the ladies have crisscrossed the country, performing for freestyle fans that still know all of the lyrics to their string of hits.

I finally had a chance to chat with Betty this week and the only thing bigger than her laugh is her heart. I wish that everyone could experience a bit of time with her because Betty is one of those rarities that leaves people better than she first finds them. Well, unless she's really mad then you better start running! Seriously though, Betty is equal parts crazy, outgoing Latina and introverted cat lady. She is also ALL parts love, joy, positivity, and acceptance. The woman you see on stage is exactly who she really is, and that's a gift to all of us.

Cate Meighan: Can you believe that Sweet Sensation has been around for more than thirty years?

Betty Dee:  Sweet Sensation has obviously had personnel changes over the years. Since 1991 it has been me, Jenae Colon, and Belle Ritter. I've jumped in and out of the group a few times. The last time that we faded into the music background my dad was really sick and I was dealing with a bunch of other personal things. So I decided to step away from the spotlight and just live my life. In August of 2015, we got back together. I received a call from K7 of TKA, my work husband (laughing) asking me to come back. He said that we needed to return to the stage and start doing shows again. I couldn't believe there was interest but he has been my best friend for thirty years, and so I listened to him. I called the girls and just like that, we got back together. The first thing we did was meet for rehearsals and I can remember thinking, oh my god, I'm going to have to go and by lashes again (laughing)!

CM: How do the logistics work now that you're all older and juggling other responsibilities?

Betty Dee: We all live in different parts of the country. I work a crazy, very demanding, but fulfilling day job during the week, and then on weekends, I get to perform. My week is busy. I'm a mom to my kitties and my dog and I do the things that I need to do at home. Then on the weekend, I get to put on lashes, make my hair shiny (laughing), and then hop on stage and perform with my friends. I mix the two lifestyles and they're easy for me to balance because I'm a good multitasker. I need to be busy and performing is something that I really love to do.

If we are in NY for a show then we travel into the city and gather at one location for a quick rehearsal. We'll get ready there, do the show and on Sunday we'll go our separate ways again until the next weekend. If we go out of town and have to really travel then it becomes more work but I love it and I wouldn't have it any other way.

CM.: How was it coming back this time around?

Betty Dee: Coming back this time has been so different. We're older and we appreciate things more. I feel better now at 50 than I did at 30 (laughing). I'm more energized and I want to keep giving the fans more. I mean, there's a mortality thing of- okay how much longer can we really keep doing this? If I'm going to do it now then I'm going to give 1000% and I've got to give it my absolute all. I think other freestyle artists think the same way.

CM: Freestyle fans are like no other. No matter where the venue is, it really is like a family at the shows.

Betty Dee: The fans are the fuel. They're the gasoline that lights the fire for us. If we went out there and didn't have the support it would be totally different because that's what drives us. I speak for my work husband, my work wives, and all of the people that we do shows with. We see each other so often that we really are a family and we really do get together and talk about how amazing it is that we can still do this thing that we love so much. It's valuable to me and not just as an artist. I listen to them perform and it takes me back- like thirty years!

I remember what I was doing when Noel's "Silent Morning" came on KTU in NYC! We sang about love and dancing and heartbreak. I can't find a freestyle song that's not about one of those things (laughing). It's all about love and tears and that music created a bond 30 years ago and it's still there now. We all share that same bond now and I'm humbled by it. Understanding the genre and growing up with the people that listened to it, I totally get it. We hold on to this music and the time in our lives that it takes us back to until it's ingrained in our DNA. It's literally who we are.

CM: You look like you're in the best shape of your life right now and I've gotta ask, what's your secret?

Betty Dee: I had spent years depriving myself of calories and running around like crazy until my metabolism slowed down. It was in starvation mode and so I was gaining weight instead of losing it. I was trying to stay in shape and I wasn't eating fatty foods and it just wasn't working so I decided to experiment and cut out leafy greens. I would eat more meat and some cheese instead. I also started to work out differently. Instead of being on the elliptical for like, ten hours a day, I started lifting weights and dancing. I was doing that and eating full meals throughout the day because the food was giving me fuel.

Once I started switching things around and feeding my body, it did me the service of getting really lean. So no more measuring and weighing food for nothing. Now I eat everything in moderation, including the healthy stuff. I have more energy and I don't feel sick every day. Here's the thing, you have to figure out what works best for you because there's not one set cure-all program

CM: You're one of the happiest people that I think I've ever met. Where does the joy come from?

Betty Dee: We're on borrowed time and we all end up in the same place so don't take life too seriously. Do the things that make you happy and do them 1000%. Life is short and at some point, we lose each other so make the most of it. Be happy and make others happy too. That's where I'm at in my life and if that means going out on stage wearing sparkles and singing songs, then it's what I'm going to do.

Listen to Sweet Sensation:

 

Currently Booming: Freestyle Friday- TKA - 'Tears May Fall'

Freestyle Friday: Soave- 'Crying Over You' (Live in Atlantic City 10-14-22)

Freestyle Friday: Judy Torres- 'Come Into My Arms' (Live in Atlantic City 10-14-22)

Daily Boom: Freestyle Friday- Corina- 'Whispers'

Exclusive Interview: Freestyle's Soavé Martinez Celebrates Thirty Years of Live Performances While Putting the Finishing Touches on Brand New Music

(Soave Martinez- Official Facebook)

We are flashing back to some of the best of the best content here at DailyBOOM.

ICYMI

Some songs just stay with you no matter how many years have passed since the first time that you remember hearing them on the radio, four seconds in and you recognize it as your jam. Sure, there might be a handful of songs that you can classify that way, but when one of them starts to play it's still always YOUR jam. Soave’s “Crying Over You" has always registered as one of mine. It was just the right song at the right time for me, one that to this day leaves me dancing. It has worked that same kind of magic on a lot of people and I challenge anyone that is under the impression that freestyle music died off twenty-plus years ago, to reconsider. I say that because on any given weekend, in various locations across the U.S. you’ll find thousands of freestyle fans packing venues to embrace not only the music but also the bit of nostalgia that those dance floor classics conjure up. 

I’ve had an opportunity to get to know Jeffrey “Soave” Martinez a bit and I now really understand that in order to consistently perform nearly every week for the last three decades (as he has), it takes passion, devotion to the music and a deep gratitude for all that freestyle has brought to his life. The fans play a huge part in his ability to keep performing because without demand there is no supply, but it’s his gut-level devotion to music that has Soave now working on the biggest passion project of his life. The need to grow has led him back into the studio to create brand new music, completely on his own terms.  

In a recent interview, Soave revisited his earliest days in the music industry and brought me up to speed on all that he has in the works for this year. Check it out below. 

(Soave Martinez- Official Facebook)

Soave Martinez on his first brush with the freestyle music world: 

"My girlfriend and I had just broken up and I found out that she was going to be at the Puerto Rican Day Parade, so I figured my friend and I could go and we would run into her. I had never been to this parade before, so I had no idea just how massive it was. I was thinking it would be just a couple of blocks and I'd run into her when really it was hundreds of thousands of people (laughing). So we went and it didn't take me long to figure out that I was never going to run into her so we decided to just enjoy the moment. As we were walking my buddy was taking flyers from everyone that was handing them out. He had a stack of flyers in his hands and I looked at the last one that was handed to him and it was little pictures of about 25 different acts all in a big square. It was for a Puerto Rican Day Parade after-party at Club Broadway 96.  

I was a fan of freestyle first before I ever even considered performing it. I really liked established acts like Noel, TKA and Trilogy. They weren't on the flyer, but my father was the head of security at Club Broadway 96, so I knew that even though we were underage we would be able to get in because he would hook us up. We headed down to the club, had dinner and then we ended up backstage so I got to meet all of the artists as they were coming through. Since I was broken up with my girlfriend, I took autographed photos from each of the acts and I decided that I was going to mail them all to her on Monday, hoping that would get her back (laughing). 

I was there for hours either backstage or watching everyone from the side of the stage and by the fourth or fifth act I was thinking, 'I could do that, I could be out there'. In my college days, I wanted to go to school for both acting and singing, so I figured whichever one I got an opportunity to do first, that would be the one that I focused on. As luck would have it, I got the opportunity to sing because I was at that show that night." 

(Soave Martinez- Official Facebook)

Soave on how that one night turned into a golden opportunity: 

"Well, on Monday I did take my pile of autographs to the post office (laughing) and as the lady at the counter was wrapping it up with love, I realized I had to get something from out of the pile. The person I had spent the most time with was Johnny O and I needed to get his manager's phone number from inside that envelope. The guys' name was George Vasconez, he owned Sparkle Management and at the time, he was THE guy. So I got the number and called it a few times that day asking to speak with Johnny O. When I realized I was actually speaking with George I told him that I wanted to be a singer and he just started laughing his head off (laughing). He must have thought that I was a complete kook, but he explained that first I needed to be discovered. If I wasn't discovered then I needed a complete demo tape and I had no clue where to go to make one. All that I could think of was that booth in Macy's with the Karaoke that let you record and gave you a tape on your way out (laughing). George told me when he was going to be at the same club that I had met Johnny O at and he told me to introduce myself to him and that he would help me figure out the demo tape. 

I was so excited! I went to that club in jeans and a jean jacket with no shirt under it, I don't know what the hell I was thinking (laughing), but it was kind of the style back then. So I introduced myself to him at the club looking like this and he looked me up and down and said, 'kid, I'm going to put you on stage and the girls are going to go crazy'. I couldn't believe it! He introduced me to Judy Torres and a few other people and then basically took me under his arm. Every Wednesday night I stayed at his house in the city, because that was the night of the week that all of the artists performed. He took me to different functions and shows so that I could watch and learn how all of the other artists did things. He took me to The Palladium and Studio 54, clubs like that and everywhere that we went he was known as the manager so those velvet ropes went up. It was like school for me and I lived for those Wednesdays. It was so exciting and I really couldn't believe that this was my life. 

After seven or eight months of this, I really wanted to get started on my career. I was around all of these other artists but no one had ever heard me sing and I just wanted to sing. George told me he had gotten me an audition for a song on Micmac Records, which I thought was crazy because I still didn't have a demo tape. I asked him how I could audition without it and he reminded me of all the times I was in the car with him, singing. He thought I was talented and I had no idea that he was helping me to improve and just watching me grow for all of those months. I was really just a clueless kid (laughing)."  

Soave on that one audition that changed his life: 

"I was just dying for that audition to come and when it finally did, I was put right in the vocal booth and handed words to a poem written by someone's ex-girlfriend, called "Crying Over You". He wanted me to sing it in a very monotone style that resembled another song that was already on the radio. So, I did exactly what I was told and then after the third or fourth time I asked if I could sing it differently, the way that I would really want to sing it and he said yes. I made it my own and he said, 'all right, all right that's good, come out!', and I thought I blew it. 

 I'm thinking that I should have just kept my mouth shut rather than trying to be creative over here (laughing), and so I came out of the booth. I was expecting the worst and instead, he told me I got the song and he welcomed me to the team.

We recorded the song and back then it took forever for a song to come out. If you recorded in January it would take until October or November for them to release it because they had to master it and then do edits, which took forever. So, when it finally came out they first gave it to the record pools as kind of a test market. I remember KTU radio (in NYC) had a Hot or Not segment and my song was like 97% hot. Then it went to the test press to get a feel for how the song might do, which would help to set the release date. This song went from the test press right to the radio stations before the label had a feel for how the market was, and it went into regular rotation. I went from doing shows for free to making six or seven thousand dollars on a weekend, literally overnight. I didn't understand at the time how rare that really was. I thought it was a Micmac thing and that if your song came out on their label then you'd automatically be played on the radio. I quit my day job and two weeks later I had my first pay from singing, a check for seven thousand dollars and then a bag with another seven thousand in cash (laughing). I was scared because I had all this money and I remember trying to get home as fast as I could with it.  

I pushed them to put out another song really fast and the label insisted we ride that wave created by "Crying Over You". I actually wrote the lyrics to the next song, "If You Want Me", on the back of a vomit bag while flying back from a show, on Eastern Airlines (laughing). It was before I had any kind of recording device so I kept writing the lyrics and singing them so that I would remember them. I recorded it and it took them forever to release it, but when they finally did it actually did much better than "Crying Over You", because people were waiting for a follow-up song." 

(Soave Martinez- Official Facebook)

Soave on the importance of having full control over his new music: 

"I started this project six years ago when I was making a lot more money and had the ability to spend more money on the studio. For a few years, it was harder coming up with the funds to cover all the costs that go with recording an album, but now I'm back in the studio every week again. It's nice to actually be in control and it's probably taking longer because I am in control. It's my money now that's invested so they can't tell me what to do. It has to be perfect. I've waited so long for this chance that it just has to be perfect. I'll do an entire song and then go back over it with a fine-tooth comb looking for one sentence or one little riff that I don't like, and then I'll fix it. I'm also one of those guys that's really annoying to producers (laughing) because I actually care about how it's going to sound. They understand me though and know that I work fast, but I'll always go back and fix stuff. To me, that's how you become a good artist." 

 Soave on his musical passion project: 

"The name of the album is 'Silky Sheets and Smooth Covers' and the silky sheets are my original songs, while smooth covers are cover songs. Those are songs that I've always loved listening to or that are fun to perform. It's exciting because I just know that it's going to do well. I want to get it out by March because it's the 30th anniversary of "Crying Over You". It's so exciting and I feel like every song that I finish is better than the one that I did before.  

It's not a freestyle record, but there is one freestyle song on there that I'm having a lot of fun with. I feel like I have to throw one freestyle song in to really get the attention of my original fanbase, almost as a thank you for sticking with me. It's a way of staying true to who I was as an artist back then while also proving that I'm vocally capable of so much more now. The reason why I like this particular song so much is that I wrote it in 1992 and it just stayed with me. I never recorded it or released it, I've just kept it with me for all of these years, thinking I'd save it for when freestyle comes back and gets real radio play. I always believed that if it were to come back then I'd need to be ready and this is my song for that.  

People say that freestyle is back but I can tell you that it never really went away. I've been singing it regularly for over thirty years. Maybe we get more shows now than even ten years ago, but it never went away." 

(Soave Martinez- Official Facebook)

Soave on not having any real regrets: 

"I don't ever have regret really and here's why: If you have regret and would change something in your life, then you also couldn't have the good things that you have today. I've had different dancers and I've had different kinds of stage shows over the years, but I've never stopped performing, never. I've been very blessed. If I changed one thing then all of that would change too. I'm happy with the opportunities that I've already had and I'm happy that my life isn't over yet, so I can still make a difference in a lot of different ways." 

Check out Soave's official site for updates on everything he's doing. Also, follow him on Facebook, Twitter, & Instagram for info on upcoming gigs, new music & tour dates.