Showing posts with label Tom Gimbel. Show all posts
Showing posts with label Tom Gimbel. Show all posts

Tuesday, August 9, 2022

Exclusive Interview: Foreigner's Lou Gramm Finds Joy Reuniting with His Original Bandmates & Exudes Peace as His Career Winds Down

Foreigner
Photo: Karsten Staiger

ICYMI- we are flashing back to some of the best of the best content here at DailyBOOM.

I honestly can’t remember a point in my life when Foreigner wasn’t one of the musical fibers helping to hold my memories together. I can easily flashback to when I was six-years-old, curled up in my dad’s ugly green chair with his headphones on listening to Foreigner, as I held their album in my lap. My father was a DJ back when stations were first changing over to an album rock format and he was happy to bring his work (in the form of vinyl imports) home with him. I always got to pick a song to listen to before I went to bed and dad was thrilled when “Feels Like the First Time” replaced “Disco Duck”. I quickly noticed that if I picked “right” he would let me keep his headphones on for a few songs and falling asleep to the first side of Foreigner’s eponymous effort happened to me more than a few times. 

It was the synth that first grabbed my attention but by the time I was a pre-teen I really understood how important each and every musician (Lou Gramm, Mick Jones, Al Greenwood, Dennis Elliott, Rick Wills, Ed Gagliardi) was to the band and how they all played a crucial part in creating that unmistakable sound. It’s a sound that regularly lives on in millions of households even now, forty-plus years later. 

Longtime fans were thrilled last year when the original band joined the current lineup onstage for a handful of shows. Those gigs were so special and well-received that “Super Foreigner” will reunite again in October for a few more Double Vision: Then & Now shows. I had an opportunity to speak with Lou Gramm, the man whose voice has helped to sell over 80 million albums. It's an interview that I feel like I've prepared 40 years for, and both his insight and his hindsight are uniquely valuable. 

Lou Gramm & Rick Wills
Photo: Cate Meighan

Cate Meighan: How did those first reunion shows feel to you and what was it like to have those particular audiences in the palm of your hand? 

Lou Gramm: “Well, to reunite was unbelievable. It had been a lot of years since that band had taken the stage together and so it felt really powerful. Everyone was playing terrific and from one end of the set to the other, there was a lot of joy onstage. I felt that it projected right onto the audience. I could sense that the audience was really enjoying it and the response to every song made the short hairs on my neck stand up.”  

CM: How is it different for you being on stage with the original band now versus back in the 70’s or ’80s? 

Lou: “Well, the band back in the day was awesome, but the schedule that we kept was hard. Just like everything else that you do in life, this was just as much work as it was a joy. That balance tends to numb things and you almost forget the little things that were so special, which is sad but it’s kind of the way that it is. So honestly on those (reunion) nights all of my senses were just piqued. Looking around at the guys, watching them playing and shooting little smirks at each other, it was all the things that we used to do and just took for granted. Those little things now have a huge meaning on these special nights. The shows that we did recently, we knew there would only be a few of them so we wanted to make the most of every song, interact and just be who we’re supposed to be.” 

Mick Jones & Lou Gramm 
Photo: Karsten Staiger

CM: Did you know there would be more shows after last winter? Was that something that was already in the planning stages? 

Lou: “We were hopeful but it was understood that everything would depend on how we were received. You know it could have really gone differently. We could have had a lukewarm reception and we could have walked offstage knowing that our better days were definitely behind us. Instead, we realized that our audience appreciates us as if it was 25 years ago. The people in the seats really create the energy of a show and without them and that energy there would be no point in continuing” 

CM: It was announced late last year that you were finished performing with your own band. Did the Foreigner reunion shows have anything to do with that decision? 

Lou: “At the end of last year I disassembled my own band and that was that. Different variations of that band had been together for 13 or 14 years and we had great shows. Whether there was a Foreigner reunion or not, I knew that it was time for me to put an end to that. This year I’ve played on and off with Asia. They do their songs and then they do arrangements of my solo work, plus Foreigner songs. They’re very good and we have a lot of fun on stage, but even that is coming to an end later this year. I’m in the process of winding down and I’m at peace with it. I’ve been doing this at a professional level, usually extremely busy and working hard, for 45 years. I can still sing; I don’t know if I’m as good as I was 40 years ago but I can still cut the parts. I’ve just lost the desire to be out on the road performing constantly, I’ve done enough. I’ve got a lot of other things that I’d like to turn my attention towards like my family and my obsessive hobby (laughing)- American muscle cars! I have a lot of fun with that and I’ve been into it since before I was old enough to drive. When you tour it’s usually in the summer so by the time the tour is over it’s almost too late to get the car out and drive it. I live in the northeast so come October that’s when everyone is putting everything away.” 

CM: Some of DailyBOOM’s readers had some questions for you. I liked this one- if you look at Foreigner’s whole catalog what songs are a perfect example of what this band really can do?

Lou: “Oh boy that’s really tough (laughing). I would say if I just shot from the hip, "Juke Box Hero" and "Urgent". Two songs that have very different feels to them but they’re both heavy-handed and pack a real punch.” 


Mick Jones
Photo: Babs Marks

 CM: Another great question- how difficult was it for you to transition back into the band after spending time focused on your solo work? 

Lou: “It was difficult because when I did my own thing it was to let my own creative abilities have the lead. I didn’t need approval, so to go back into that situation was almost unbearable at the time. Creatively I did very little on Inside Information because everything that I brought up was shot down. I just held on tight and I sang the songs. It didn’t turn out to be the kind of album that I had hoped that it would be.” 

CM: Here’s another one that I liked- what album are you the proudest of? 

Lou: “There are a few. Mr. Moonlight was released on an independent label and got very little airplay and very little notoriety. I thought it was a great album and even now, you have to be a fan to know that it exists. Some fans still don’t know that it exists (laughing). I also loved 4. There’s a lot that I loved writing and recording, plus then performing but if I had to pick it would be those two.” 

CM: Last one from our readers’- what was the motivation behind “Angel with a Dirty Face”? 

Lou: “It was a fun little song about a girl who made it seem like she was an angel but you could tell what was going on and that she no angel (laughing).” 

CM: Okay back to the present day “Super Foreigner”! How do you feel knowing that you get to reunite with both bands again for four shows in October? 

Lou: “I’m very excited to do it again. I think we rehearse 2 days before the show and I have to say, the current lineup of the band is great. They’re all nice guys and they’re thrilled to be doing what they’re doing and I’d be thrilled if I was them too (laughing). They are as helpful as they can be and I hold absolutely no ill will against them. They walked into a situation where they were asked to join Foreigner and how many people are going to turn that kind of offer down (laughing)? They took advantage of a great opportunity and that’s how things go. We genuinely get along really well.” 

Photo: Cate Meighan

CM: What would you like to say to the fans that are really looking forward to these reunion shows? 

Lou: “The original band loved performing back in the day when it was our time to shine and now all of these years later it’s still our time to shine. We’re going to lay it down as best we can and we’re going to rock them real hard. We take a lot of pride in what we do and in the songs that we’ve written and recorded. It means a lot to the original band to still play and every time we do this our pride is at stake! So, we’re going to perform just like we’re back in our heyday and we won’t let anybody down.” 

Check out Foreigner's Official Site for more info on Double Vision: Then & Now tour dates!










Sunday, February 7, 2021

Exclusive Interview: Foreigner's Tom Gimbel Talks the 'Juke Box Heroes Tour' and More

Photo: Cate Meighan

Since Covid-19 is preventing any new gigs DailyBOOM is flashing back to some of our favorites from previous years, plus some interviews that are oldies but goodies! Enjoy this flashback!

ICYMI

Chances are that if you're a rock fan you already know who multi-instrumentalist Tom Gimbel is. He started playing the drums as a young child and eventually that early rhythmic base turned him into the musical virtuoso that he is today. After touring with Aerosmith for several years beginning in the late '80s, Tom joined Foreigner back in 1995 and has loved every minute of it. The band puts his talents to great use and in any given show you'll see him moving effortlessly between guitar, keys and of course that magical saxophone.

Foreigner kicked off their Juke Box Heroes Tour with Whitesnake and Jason Bonham's Led Zeppelin Evening earlier this month and I was fortunate to steal a few minutes of Tom's time before the Jones Beach, NY show. What ensued was a conversation over coffee and blueberry muffins (although miles apart) that was sprinkled with serious laughter. The only thing more entertaining than Tom's playing might just be his personality. He is clearly the guy that makes friends with everyone in the room- but only if he wants to.

(Photo provided by Tom Gimbel )


Cate Meighan: So, you're one week into the Juke Box Heroes Tour, how is it going so far?
.
Tom Gimbel: The shows have been beyond our wildest dreams. It's so good and we're having such a great time. We're with two other bands, Jason Bonham's Led Zeppelin Evening and Whitesnake.   Jason Bonham was in Foreigner as our drummer for about three years and we just toured with his band last year so they're a ton of fun and we've known the Whitesnake guys forever.  It's like being in rock n' roll band camp on the road, like a little fraternity (laughing). It's just a fun summer tour with really spectacular staging and wonderful weather so far. Mick Jones is on top of his game, Kelly Hansen (lead vocalist) is singing as well as ever and everyone else sounds great so we're having the time of our lives.

CM: What defines a great show for you?

TG:  I think it's when the band is really clicking together. There's honestly never a bad night for us. We have good nights and then we have great nights. A lot of times it's the sound on stage like if you get on a cement floor the sound can be harsh and brittle. The way the room is designed and the energy of the crowd, everything contributes. When the sound is good and we're all grooving because the audience is into it, those are the ingredients for a great night.

CM: When you were younger did you ever see your career unfolding the way that it has?

TG: When you're young you have all these dreams of fame and fortune. I was never so interested in fame, but fortune? Well, that was interesting (laughing). I really hoped and believed that if I worked super hard and had a little bit of luck, good things would happen and that's really still my feeling. I work hard and hope for the best, and the good things have been pretty consistent.

When you're young and you just want to be a musician, you really don't think about what you'll be doing this many years later. Or if you do you think you'll be a billionaire, retired by the pool, racing horses or something (laughing). In actuality, the world has changed and real-life rolled in and that important music kind of became free. The world changes and you just adapt to things. The CD business kind of crumbled and people are acquiring music in different ways so you have to think of other ways to create income. That's why you see guys starting their own tequila company, coffee line or hot sauce.

(Photo Credit: Karsten Steiger)

The emphasis is also now on live music and that really fits the bill for me because it's my favorite thing. I love to play with the audience and have good interaction. When I watch my favorite bands I go to YouTube so that I can watch them play live. I still love the albums and want to have both, but when it comes to The Beatles, Al Green or Marvin Gaye I want to watch them play live, that's my thing. I never got to see The Who play live but I can watch their concerts from 1972. You know it's nice to just go back in time and visit with them and see how they gelled right there onstage.

CM: What is it that keeps you out there performing after all these years?

TG: It's the music for sure. I love playing rock guitar with a drummer, that's my favorite thing to do and then I love singing on top of that. Playing the saxophone and just being able to wail away on "Urgent" is about as much fun as you can have. This is what we all are looking for and it's what you work towards as a musician, so when the summers come around touring is just what we do.

(Photo provided by Tom Gimbel )

CM: What do you do to keep that musical spark lit for yourself?

TG: I'm always working on little projects. They recently did something with the wireless units and so we can't use the same frequencies that were once used for the microphone that is on the saxophone. That meant we had to get all new wireless stuff and that meant that we can no longer use the mic that I like, so we're shopping for microphones and I've had to try other ones. When it finally sounded good again I was so happy. I'm always looking for a magical reed for my tenor sax because it can make a drastic difference the way that the sound just jumps out of the saxophone big as a house.

There's always something to keep me inspired. I'll be looking at guitars online and then I find the same thing on eBay and think 'oh, I've gotta buy that quick before somebody else gets it". There should be a parental safety measure that stops you from being able to buy things after midnight. (laughing). I have storage space filled with things I thought I might need. It's okay though because it keeps me out of trouble.

CM: You're not a planner are you?

TG: I definitely go with the flow. I've never been a planner, I'm like one step at a time, no wait, two toes at a time (laughing). I'm really a linear person so I do things one step at a time in a sequence. It has worked for me and I like who I am now. I think we get more comfortable with ourselves as the years go by. When you're young you're always trying to prove something to somebody. Growing into your own skin is the best benefit of getting older.

CM: You've mentioned a few times how much things have changed over the years and with that change comes an onslaught of not so positive things, what is something that kind of eats away at you?

TG: I think it's a travesty that music programs are being taken away in the schools. Music was not only the best part of school for me but it probably kept me in school. Music was my motivator and I think a lot of kids might find themselves in that same situation, with music being the one thing that they like. It keeps kids out of trouble. We often bring choirs from local high schools on stage to sing with us. We tell people to talk to their board of education or school administrators to see if they can somehow help because these programs are being just stripped away. These kids haven't done anything wrong but they're being punished and losing something they need. It's really sad for the kids and we need to work together to save the music and other creative programs.

CM: You've got so many good things going on is there anything missing from your life at this point?

TG: Mostly these days I'm looking for my keys (laughing) because they're gone! Seriously, my keys, my phone, sunglasses that I can't find because they're still on my head (laughing).

CM: What would you like to say to the fans that have supported you for so long?

TG:  I want to thank the fans for coming out and rocking with us and we'll continue to do this for as long as they want us to. We're so grateful. The stuff that Mick Jones has written with Lou Gramm has just held up so well that it's really timeless. I get a huge charge out of playing music with other musicians, but when you add the audience in then the element of excitement is palpable. I think the audience is the secret ingredient that connects it all and really makes it work. People sing and dance, stomp and swear, whatever. It's all an outlet and that's what a rock concert is supposed to be, it's therapeutic. Where else do you get to yell and scream in public- it's like primal scream therapy only cheaper (laughing) and you go home feeling so much better!

(Foreigner Promo Shot)

Head over to Foreigner's official site to check out Juke Box Heroes Tour dates, band merch and more!



Monday, November 30, 2020

Foreigner- Double Vision: Then & Now Reunion Show Review (Atlantic City)


Double Vision Then & Now- Foreigner Reunion
(All Photos- Cate Meighan)

Since Covid-19 is preventing any new gigs DailyBOOM is flashing back to some of our favorites from previous years. Enjoy this flashback!

When Mick Jones, Ian McDonald, and Lou Gramm first teamed up in New York City back in 1976 to form Foreigner, I'm pretty sure that they never would have imagined still sharing a stage some 40+ years later. Serious health issues, growing pains, lineup changes, and internal strife have all played a part in the bands' evolution and temporary disintegration, but the music has always been much more powerful than all of those things combined. Foreigner's catalog is an overabundance of riches for any musician fortunate enough to be able to do it any sort of justice and no one understands this better than the band's original lineup. Seeing Mick Jones (lead guitar), Lou Gramm (vocals), Ian McDonald (guitar/sax), Dennis Elliott (drums), Rick Wills (bass) and Al Greenwood (keyboard) reunite for a select few shows this year has been a rare gift for classic rock fans young and old alike.

The Hard Rock in Atlantic City was one of only four shows slated for this year's Double Vision: Then & Now reunion and it really was a perfect balance of the original Foreigner members, with the current lineup. The first part of the show featured the latter with Kelly Hansen absolutely showing off his vocal range on hits like "Cold As Ice" and "Head Games" before pulling the sold-out crowd in with his intensity on "Waiting for a Girl Like You" and "That Was Yesterday". 

Kelly Hansen

Kelly Hansen

While Hansen is more than holding his own on vocals, the rest of the current lineup is an incredibly skilled group of musicians, all with decades of success before even venturing to set foot on a Foreigner stage. Bruce Watson was tapped to step in for Mick Jones during a medical emergency years ago and never left. He has earned his spot by being versatile enough to either play lead guitar his way or to accentuate the magic that Jones weaves as his right-hand man. 







Bruce Watson & Tom Gimbel

Bruce Watson & Jeff Pilson

Jeff Pilson (interview here) spent years 'breaking the chains' with Dokken before joining Foreigner and he is an animal onstage. One minute he is literally headbanging right in front of you and the next he is already at the opposite end of the stage rocking out. His bass playing is a standout, even on the ballads and he often can be found working as the band's music director to make sure that their shows are seamless. 


Jeff Pilson

Jeff Pilson

Tom Gimbel (interview here or here)  is one of, if not the most versatile musician currently touring. In any given song he might be playing rhythm guitar ("Head Games", "Juke Box Hero"), keyboard ("Cold As Ice", "Waiting For A Girl Like You"), or flute ("Starrider"). But his biggest moment is when he cracks out his saxophone to make "Urgent" the memorable piece that it is. 

Tom Gimbel

Tom Gimbel

Speaking of keyboards, Michael Bluestein is quite an entertainer. He plays great and even from the back of the stage he always catches my eye with the way he pumps up and toys with the audience. It's so often mentioned that the drums are the foundation of any band and that certainly holds true for Foreigner. Chris Frazier has been the man behind the kit for the last seven years and he is the driving force that pushes this great band through songs like "Juke Box Hero". 

Mick Jones

Once the current lineup finished their set in Atlantic City, Mick took to the stage to introduce the rest of the original members and you could tell that this was an audience raised on Foreigner. I was one of those kids back in the 70's spinning my dad's vinyl, so to see and hear the guys who actually played on those original recordings was pretty amazing. Less than a minute into "Feels Like the First Time" and it was obvious that this stage full of 70ish-year-old men could still rock. 

Mick Jones

As long as Mick is breathing he will play like a guitar god and seeing him interact with Lou onstage felt like rare stolen moments that only a select few concert goers in this day and age will get to experience. Lou's vocals seem to be about the best that they've been in years and the Hard Rock audience's energy soared. 

Lou Gramm & Rick Wills

I got the feeling while watching Rick Wills on bass and Dennis Elliott on drums that they both could still be playing regularly with Foreigner if they chose to. They both helped the band barrel through "Blue Morning Blue Day" and "Long Long Way From Home" with such conviction that I really wanted to see what else they can still do. 

Rick Wills

Rick Wills & Ian McDonald

Multi-instrumentalists always intrigue me because they just have so much going on.  Ian McDonald is meticulous in getting himself together before playing and it made me so happy to see him have a bit of a sax solo complete with a bit of his own theatrical flair. 

Ian McDonald

The split setlist for the Double Vision: Then & Now shows is actually pretty perfect because it allows each generation to play to their strongest abilities. There was no better way to wrap up such a rare evening than by bringing all twelve musicians back onstage to perform "I Want To Know What Love Is" and "Hot Blooded". 

Foreigner already has a pile of dates booked for 2019 and rumor has it that some of those may turn into reunion shows as well. This fan can only hope that it's a rumor that turns into confirmed fact!

Double Vision: Then & Now Setlist

Current Lineup:
Cold As Ice
Head Games
Waiting For A Girl Like You
That Was Yesterday
Headknocker
Urgent
Juke Box Hero

Original Lineup:
Feels Like the First Time
Double Vision
Blue Morning Blue Day
Long Long Way From Home
Dirty White Boy

Both Lineups:
I Want To Know What Love Is
Hot Blooded

Lou Gramm

Ian McDonald

Jeff Pilson

Tom Gimbel & Bruce Watson

Bruce Watson & Tom Gimbel

Jeff Pilson

Tom Gimbel & Kelly Hansen

Bruce Watson & Tom Gimbel

Jeff Pilson

Bruce Watson, Tom Gimbel & Kelly Hansen